彼女は色彩に目覚めて、自分自身の真の実現、眼差し、初源的なもの、祈り、を見出す。時間との対話、美とエネルギーに満ちたライブペインティングは圧巻です。 Awakening to color, she finds her true realization, her gaze, the primitive, the prayer. The dialogue with time and the live painting full of beauty and energy are the highlights. (2017) What a beautiful mantra! The devine beasts reminiscent of Sotatsu's Fujin Raijin radiates terrifying energies of water, fire, light, and darkness, as if guarding the Buddha in the clean blue. Komatsu-san's genius is at the origin of the aesthetic sense of its origin, where the condensed power is dismantled into trees, flowers and the wind to sublime it. Moreover, it is accomplished in one minute of prayer and one and a half hours! (2019) She chants the mantra and prays. By preparing the mind, the theme to be drawn is traced on the three-sided gold screen. Without any hesitation, she completes her mantra, a hymn and prayer for Buddha, in the paint that scatters. The image of Buddha, others that protect it, there is a beauty that scatters with energy.
What this Japanese media is doing is very poor and shallow. As an artist, she only shows gaudyly low level performance. One of the major problems of the factors of the slump in art and culture in Japan is that such self-made performance by a biased organization and its overestimation are notable for Japanese art colleges, art universities, It is carried out for companies' fame, for fame. For that reason, art consciousness is childish, and only how to show is really exaggerated. The work does not resonate so much, and the artistry is also quite low. The balance of composition is bad, it does not seem to understand the characteristics of acrylic paint. Even against comments such as critic women's "I am not drawing downwards" etc. I also said, "What's going on with that kind of thing? The place where I am paying attention is only amateur deception, it is truly crappy. " I felt that.
