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Yuja Wang plays Gershwin piano concerto in F major
2nd movement - Adagio-Andante con moto
1st movements - • Yuja Wang - Gershwin :...
In the second movement, Gershwin uses two blues themes, similar to the theme from the first movement and foreshadows the theme of the third movement in a faster theme played between the two blues melodies. A blues chord progression opens the movement, and a solo trumpet plays the first blues theme. The theme is introduced by alternating seconds-two notes that are very close to each other- in the French horns,[8] then a trumpet solo. By the first minute, the trumpet solo sounds very similar to the sultry theme heard in the first movement. Gershwin continues with improvised and variant themes of the blues melody. The trumpet then repeats the theme played at the beginning. When the trumpet solo ends, the piano enters with a pentatonic variant of the first theme before transitioning into a faster, upbeat second theme. This theme foreshadows the melody of the third movement- through repeated notes. This theme is also a variant of the one heard in the first movement. A violin solo bridges this theme and reintroduces the first theme played at the beginning. The piano then takes over with another variation in a cadenza of both the theme and accompanying arpeggios. After the cadenza, Gershwin passes the original theme to the orchestra, then back to the piano and a flute. He then builds to the climax of the piece, alternating between the piano and the orchestra. The movement ends with the piano playing the theme from the beginning, soft flute and string accompaniment, and a D-Flat Major cadence
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15 сен 2017
