Yunchan Lim - Beethoven Piano Concerto No.4 in G major, Op.58 (2023.11.15) 

I will copy my words at the ATACAMA publishing of this, the same way publishers copy good interpreteations: "Yunchan Lim play this music as if is was newly invented, with such a freshness and inspiration, but at the same time with such a reference to old masters, that I can nothing but love his interpretation."

Tears came often during this performance... all evoked by Yunchan's playing. Exquisite. What a tender soul he is.

Yunchan Lim reveals a poignant purity in this work that I've never heard in it before.

Soulful expression with technical perfection. What more can one ask for?

Only once in a century does a pianist like Yunchan Lim come along!

Pianiste tout à fait hors du commun, qui dépasse même l'imagination. Le quatrième concerto de Beethoven est mon favori. Je l'adore pour tout dire. Merci à l'orchestre exceptionnel, au chef lui aussi coréen et le génial Yunchan Lim. Nous sommes comblés.

Yunchan’s music makes me want to be a better person. What a wonder!

A performance of ineffable beauty and grace. Yunchan Lim is the true successor to the lamented Youri Egorov, the last great pianist. Kudos also to the completely simpatico partnership of Maestro Chung. He and Lim are completely on the same wave length, and the orchestra plays beautifully.

No lo habia escuchado y me gusto mucho! Tiene mucho soul y tendra gran futuro!!😂

뭐라 말할 수 없이 아름답고 멋진 연주에 가슴이 뜁니다❤ 정명훈 마에스트로님과 합(?)이 너무 좋아요!!! 이 연주를 통해 마치 청년 베토벤을 만나는 기분입니다😊 만나는

lim yun chan you are great . what an artist. your sound enchanting my soul with unbelebable emotions. my tears are from pure joy. thank you thank you.

들을 때마다 날 행복하게 해주는 어리지만 최고의 음악가인 임윤찬님! 들어도들어도 또 듣고 싶습니다.

Masterful, Yunchan!!

Outstanding !!!!!!!!!!

Ah ! ce second mouvement lent, qui fouille votre âme... 😔

i am happy

어찌 이리 평안함속에서 연주하는지요..카덴사는 물론이고 2악장에서 거대한 운명(신)앞에 인간의 연약함속에서 대화를 나누는 것 같아요. 다시 생명의 빛이 들어오며 회복되는 밝은 3악장 으로 펼쳐지는 것 같앙요..아마도 베토벤이 벌떡 일어나 브라보를 외치며 뜨거운 박수를 쳤을꺼에요..최고의 연주였어요 뜨거운 박수를 또 보냅니다.. ..윤찬님 사랑하고 축복합니다.❤❤❤🎉🎉🎉🎉

순수하고 투명하고 아름다운 마법같은 💙💐 명연주 👍👍👍

I have been fascinated by Yunchan Lim ever since I heard the Cliburn Competition recordings, especially his very impressive solo recitals. Here, however, I have a few comments, which is admittedly "complaining at a very high level": First of all, this recording is an example of how an intimate and long-lasting relationship between conductor and orchestra cannot be valued highly enough. Of course, the Munich orchestra can play this repertoire classic without a conductor if necessary. I simply miss the inner connection between conductor and orchestra. If you compare such great moments as the performance of this Beethoven 4 with Bernstein, Zimerman and the VPO, you can feel the difference immediately. The Viennese were literally hanging on the tips of Lenny's fingers (and toes...), orchestra and conductor were a symbiosis. And the interaction between orchestra and pianist benefits immensely from such a symbiosis. Here, unfortunately, I missed some fire and also melodiousness and passion in the orchestra. Some tonal inconsistencies or paleness were perhaps also due to the sound engineer. I also think that the piano was not in best condition. In earlier times a proper Steinway D had a bit more colours. In some places, Yunchan Lim's dynamics, phrasing and choice of tempi didn't quite convince me either I am very excited to hear this concerto again in a few years in another recording by Yuncham Lin, I am sure, this exceptionel young pianist will bring us hours and hours of pure joy!

이 곡을 작년 11월 직관할 수 있어서 행운이었습니다❤

素晴らしい😮

머릿속이 정화되고 정리되는 느낌입니다. 오케스트라도 훌륭하고 임윤찬 피아니스트는 말을 이을 수 없을 정도로 음악 그 자체네요. 이런 천재와 동시대에 살게되어 영광이고 감사합니다.😊🎉

Можно слушать бесконечно!!!

The second movement, Andante con mote, at 20:26, is becoming more and more important. It is like a slow battle between the orchestra and the piano. The orchestra almost forces the piano to respond on its musical attacks, but the piano refuses for a long time, with only a faint answer. But then, after some time, the piano responds to the orchestra, at first with a somewhat shy attitude, but after a while it let its emotions out, and in the end the piano and the orchestra is united in complete harmony. This is my interpretation of this wonderful movement. Let me also say that Yunchan Lim plays this part wonderful!

명연주 였읍니다..또 봐도 감동입니다..다시 뜨거운 박수를 보냅니다👏 👏 👏 👏 👏 👏 👏

Dulce pianul...

Dios!!! Maravilloso, espléndido, Yunchan! ❤❤❤El director y la orquesta estupendos!!! 💐

우와 김선욱님 베토벤 좋아하는데 김선욱님은 진지하고 묵직하고 임윤찬님은 명료하고 음이 반짝반짝 빛나는 느낌이네요 두분다 너무 훌륭합니다

감사합니다

먉고 맑은 아름다운 피아노 소리에 우리 영혼까지 맑아 지는 연주 ! 감사합니다..💜

임윤찬님 너무 멋지십니다!!.~🥇♥️

너무 🌸 멋집니다 마음이 편안하고 깨끗이 맑아지는 이곡을 사랑하게 됐어요 ❤

내 영혼의 비타민 존경하고 사랑합니다 ❤

❤❤❤❤❤❤

I'm trying to listen to this in the background during work, but it's not a good idea, too many sublime moments make me close my eyes and succumb.

오케스트라도 잘하고 윤찬도 정말 감정이.... 진짜 잘하네 😊😊😊😊

마음이 정화됩니다. 순수한 감정으로..

썸네일 소년미❤

Божественная игра!

Mexico. 🇲🇽🤩🎶🎶🥇🎶👆👏👏👏👏👏🎹🎶🎶

7:35 27:15 30:25 32:44 ❤️

베토벤괴 윤찬에게 감탄과 감사를...그리고 경외감을...

너무좋네요 마음을놓을수없이집중되는연주입니다😊

아~~훌륭해😊

❤❤❤

매일 들어도 감동 입니다

👏👏👏🥰🥰🙏🙏🙏💋💋

Yes

34:19

😭😭😭❤

Somebody knows who wrote the first movement's cadenza? Thanks

🩷

No lo van a traducir. 😮. No lo pongan.

34:38