Fascinating. First of all, every frame is designed like a Japanese Ukiyo-E woodblock print, using the negative space to create drama and incorporating an incredibly sophisticated rendering of detail and use of color. At the same time, the surreal and nightmarish quality of the piece is engrossing, and even in its implausibility the story is weirdly universal and compelling. The movement is hypnotic, the music works impeccably. So, yes, a masterpiece. What's not to love?
I saw this film decades ago, when I was child. I never forgot about it, and now that I work with animation I was really sad that I couldn't, in any way, know about it (as a child you don't fixate on titles, director names or whatever)... Until today! I am a happier person thanks to you. Cheers! Pedro
I watched this in the mid 80’s as part of Channel 4’s ‘World Of Animation’. I was shocked something so frightening was screened before even 5pm. The presenter said, “In fact......I think you’ll find it quite macabre.” Fvcking too right!
Did he photograph the cels over velvet? 0.e I keep hearing that the heaviest black background is black velvet and the whitest (under camera, you understand) is white blotter paper... Amazingly atmospheric animation! The layout person deserves an Iwerk. ^^
@misspeaches251 Great interpretation of the film, and also I would argue that the film pays close attention to the architecture and perspective of each frame, with sharp, acute angles that seem to jut out from every surface.
