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ZEISS CinCraft Scenario | My latest film as a Director 🎬 and VFX Supervisor 

Hugo's Desk ™
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Check out my latest project as a Director, VFX Supervisor, Compositor, Editor and Colorist. I’m very proud of this one. Congratulations to the incredibly talented team and crew that made this film possible (check out the credits at the end of the film or below).
If you would like to know more about Zeiss CinCraft Scenario, here’s more info:
Meet the only real-time camera tracking system that works indoors and outdoors, on film sets, with green and blue screens and in LED volumes. That uses natural markers, reflective markers, and even digital markers on LED screens. That provides camera tracking data for real-time use and records it for post-production. And that integrates lens characteristics to skip the cumbersome lens calibration process. Meet ZEISS CinCraft Scenario.
Learn more: zeiss.ly/cincraft-scenario
Full credits:
Credits
Directed by Hugo Guerra
Art Direction by Marius Jerschke, Hugo Guerra
Original Story by Marius Jerschke
Script by Marius Jerschke, Hugo Guerra,
Script Support by Ana Marques, Sundeep Reddy
Director of Photography: Maher Maleh
Colorist: Hugo Guerra
Cast
(in order of appearance)
Presenter: Frederik Wettey
Cameraman: Andreas Brand
Sound engineer: Alex Zündt
Focus Puller: Marvin Puscher???
Styling / Wardrobe: Renata Barancova
Makeup Artist: Michaela Häusler
VFX Supervisor: Bjorn Omar Gudmundsson
Grip: Marius Jerschke
Green screen man: Hugo Guerra
Grip: Ralph Mahr or Philipp Geis???
2nd AC: Tom Evans
DIT: Emanuel Engels
Video Assistant: Luzina Rößner
VFX Artist: Abel Thornton
2nd Grip: Ralph Mahr or Philipp Geis???
Assistant Director: Jonathan Werner
Film Crew:
Producer: Andreas Brand
Onset VFX Supervisor: Bjorn Omar Gudmundsson
Assistant Director / Production Manager: Jonathan Werner
Camera Tracking: Tom Evans, Vojta Horky, Abel Thornton
1st AC: Karim Rahmani
2nd AC: Marvin Puscher
VFX Assist / BTS Photographer: Ana Marques
DIT: Emanuel Engels
Video Assistant: Luzina Rößner
Script Supervisor: Marius Jerschke
Behind the scenes Director of Photography: Alice Le Treut
Hyperbowl GmbH:
Tobias JoeckleJulian KrügerLauritz RaischJohannes Wagner
Zündt’s Filmgeräte Verleih GmbH:
Gaffer: Ralph Zündt
Best Boy: Kevin Petersdorf
Grip / Dolly: Ralph Mahr
Light Helping Hand: Philipp Geis
Sound Engineer: Alex Zündt
Styling / Wardrobe: Renata Barancova
Makeup Artist: Michaela Häusler
Cooking Brothers: Sebastian Gödecke
2nd Unit (pack shot)
Directed by Marius Jerschke
Director of Photography: Alice Le Treut
Studio and Light : Andreas Bogenschütz
Assistant: Jonathan Demuth
VFX Bureau, Ltd:
Overall VFX Supervisor: Hugo Guerra
CG Supervisor: Martin Mayer
Compositing: Hugo Guerra, Bjorn Omar Gudmundsson
Motion Graphics: Marius Jerschke
Sound and Music by Blut GmbH:
Music: Jakob Klotz, Michael Robb
Sound Design: Niklas Rademacher
Sound Mixing: Constantin Tannhäuser, Niklas Rademacher
ZEISS:
Product Manager: Sundeep Reddy, Tom EvansProduct Specialist: Abel Thornton
Special Thanks:
Foundry
Benq Europe
And Thanks to
Hyperbowl Team
Jen Goldfinch
Ana Marques
Vicente Lochschmidt
Rita Bovina
ZEISS Team:
Christophe Casenave
Andreas Horn
Jonathan Demuth
Henna Byun
Benjamin Hagen
#vfx #zeiss #cinematography

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Опубликовано:

 

1 ноя 2023

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Комментарии : 27   
@fxeditor1138
@fxeditor1138 8 месяцев назад
I checked this out at Cinegear this year and was very impressed. I can't wait to try it out in a real-world environment. I am going to try to pitch this for my next shoot. The only problem I've seen is that producers are kind of tight with the purse strings these days, and the perceived cost of this rental, as opposed to doing tracking in post is much higher.
@kirederf7862
@kirederf7862 7 месяцев назад
The fact that this is a first of a kind is so strange to me. It has always seemed like a no brainer to have a sensor device connected to the camera, that records the cameras perspective, and yet this is first something that is being implemented now. I am glad that this is happening, just a bit confused as to why it hasn't happened sooner, as in way sooner.
@keysignphenomenon
@keysignphenomenon 8 месяцев назад
Great actor🔥
@JayMakesIt
@JayMakesIt 8 месяцев назад
Loving it ! Thank you for the hard work! 😊
@HugosDesk
@HugosDesk 8 месяцев назад
You're so welcome!
@FraYoshi
@FraYoshi 8 месяцев назад
ZEISS is really pushing hard on helping post production with their technology! Thank you very much! And hope other brands will follow the trend! 😊 great direction Hugo! Loved the VFX Notes cameo at 0:29 😄 ... and the Green Screen transition at 1:09 😂
@HugosDesk
@HugosDesk 8 месяцев назад
Can spot my cameo?
@FraYoshi
@FraYoshi 8 месяцев назад
01:04 , the green screen guy @@HugosDesk ? 😄
@gustavosaliola
@gustavosaliola 8 месяцев назад
Wow! Excellent work! Great script/concept and impecable execution. Tracking is a pain in the butt some times, kudos to ZEISS for this and choosing you to communicate it.
@HugosDesk
@HugosDesk 8 месяцев назад
THanks so much for your kind words. The team will be super happy!
@IamAshishChauhan
@IamAshishChauhan 8 месяцев назад
This is amazing.!!
@alxamu7988
@alxamu7988 8 месяцев назад
Exciting technology and flawless work. Congrats Hugo! I hope you can show us a VFX breakdown of this in the future. Cheers!
@HugosDesk
@HugosDesk 8 месяцев назад
Breakdowns and BTS coming soon
@HugosDesk
@HugosDesk 8 месяцев назад
Thanks for the kind words
@monocore
@monocore 8 месяцев назад
well paced, entertaining. Hes good too.
@chai112mno
@chai112mno 8 месяцев назад
Wow, congratulations well done
@HugosDesk
@HugosDesk 8 месяцев назад
Thank you!
@brunodicolla
@brunodicolla 8 месяцев назад
is it april's fool?
@plexeus
@plexeus 8 месяцев назад
thats pretty cool! I DO have thoughts and concerns, as much of a tech nerd that I am and having 7 years of on set experience I can see this being a "cheap" kit rental to replace on set vfx supes and kind, which are already hard to find on set unless its a $14m+ project. im assuming the data collected by this will still need some clean up like MOCAP/PRECAP which wont be taking work away from Jr.s and mids which is good!
@boris_abc
@boris_abc 8 месяцев назад
cool
@elironerosa3609
@elironerosa3609 8 месяцев назад
Have you used this technology to do the tracking for this spot? just curious haha nice work.
@krishnatech789
@krishnatech789 4 месяца назад
So Camera tracking#& Matchmove jobs no more that mean plz reply
@none53
@none53 8 месяцев назад
The mug at the end feels so empty. Haha
@HugosDesk
@HugosDesk 8 месяцев назад
It's an Expresso! lol
@chiefbraun
@chiefbraun 8 месяцев назад
I guess the 1st AD already had a sip ;-)
@user-cw9fw6oc6d
@user-cw9fw6oc6d 8 месяцев назад
third world countries will always be cheaper than any device. studios will just outsource anything for tracking. and btw, i dont wanna be the one who will be looking for those reflective trackers each time the shooting is done. they will always be lost / not enough. so it seems.
@alimstudy
@alimstudy 7 месяцев назад
Do they have cheaper bcs of lower quality or maybe cheaper software and hardware in third world country?
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