'Content for Creators' My name is Paule and I'm a German Filmmaker. My channel is all about Filmmaking, Gear Reviews as well as Davinci Resolve Tutorials. Hope you guys like it.
At 2:15 you highlight that for Artlist, "your licence isn't activated any more once you cancel your subscription" and at 3:23 that for Epidemic Sound, "your licence stays active after cancelling the subscription". However, I think you're mistaken: they both appear to be the same in that when you cancel your subscription, your licence for future work using their music, even if already downloaded, would no longer be active, whereas the licence for existing published work remains active.
Best color of any Lumix...best 4.3 sensor....yes no pdaf but AF works fine if you know it. And I'm mf anyway. A lot of cameras I don't care for personally..maybe yours. The gh6 is a beast ...you should have learned how to tame it.
How does it perform on full frame? Especially at the 24mm setting it seems to not cover the whole 3:2 full frame are - I wonder if this is also true for the 16:9 and/or 17:9 crop, we usually record videos in.
@@pauleporterdp It seems to be fine for the 16:9 and 17:9 crops from my research, but at the 24mm setting it does not cover the whole 3:2 area. So for documentary film makers it is still a very good full frame lens but for photographers on full frame cameras, the first couple millimeters arent all that good.
Great video considering the Dragon is still relevant. Would love to see it compared to the KX if you can get your hands on one. Edit: would also like to see the side-by-side with the exposure normalized with the Komodo pulled back 1 stop as all the outside footage feels overexposed.
@@CedrickOlausson Yeah, your comment is really confusing; I think you were trying to come off with some sort of sophisticated statement or epiphany, but it didn’t stick the landing, buddy. Try again.
Great video! I just got a pair of Komodos after selling my s1h & eva1. I love the flexibility with shooting but I do still see the value of having a great camera that allows for a h.265 recording. I kept my gh7 but I’m curious to checking out the c70 as replacement for the gh7 but we’ll see
Super review, Paule! Habe ich mir lange mal gewünscht und endlich setzt es einer durch. Ich hatte bereits die Komodo, schätze aber so sehr viele Dinge an der Dragon X, auch wenn sie definitiv nicht die perfekte Kamera für jeden Job ist. Aber jedes Mal wenn ich sie nutze, liebe ich das Bild, was ich aus ihr bekomme. Danke dir!!
I have two c70‘s and do videos like this. It is plenty enough and as long as you do not need super sharp images for commercial stuff keep your money and buy two aputure 1200d and a fog machine😂 the c80 isn‘t gonna give you more money i suppose - the lights might do…
Do you use this still? If not, what are you now for online cloud storage? I have a backblaze account to backup my drives but I would like an easy way to look up old footage. Also, does this work with all types of video files or only mp4? Can I upload h.265 files, r3d? Prores? thanks!
Thank for the review. To be clear, im not saying that the c80 is bad camera, or even that it isnt "better" than the c70. However, human perception is not a chart, and it is misleading to use concepts as "sharp", "soft" or "detailed" when referring to an image. All images are interpretations of light and how much that interpretation is similar to what we refer to as reality depends on many more factors than the characterists of a sensor or even of lenses. Capitalism wants us to believe that there is always something missing, so we keep on buying. Are the images that 4 years ago were considered beautiful and accurate now soft and not detailed?
if you put 4 K High Res from the r5 and 4 K from the C70 side by side, you will see an enormous difference. The r5 sensor shows much more details. Still, I like the image out of the C70 much more, especially with peoples faces, too much detail is nothing that I really want to see. And once those still images are brought to motion, our brains can ´t process that much information anyway and the perceived difference gets much less noticeable.
Hi Paul. What is the focus throw like. Have they made it a little longer than their other stills lenses. It’s really hard to do a focus pull zoomed in on a stills lens… no room on the focus ring..
Hi thanks for watching. So I’m not sure since I don’t have this lens it was just a loaner. As far as I remember the throw was longer than on photo lenses but it don’t know by how many degrees
Nice!! I recently sold my s1h & eva1. I loved the image but I reckon it was time to let them go. I picked up a gh7 just for everyday client work but actually love it. I put a speedbooster on it and I’m close to FF. It’s shortcoming is the dynamic range behind my s1h but its pros for me are, AF, uncropped frame rates, internal raw, cfast card, better internal audio (even though I sync externally) it has the tc and the same great versatile screen. Evf on the s1h is the best if that matters. The gh7 has better ibis and can be small using Olympus or panny primes or be rigged out with cine lenses. My s1h & sigma 24-70 were huge on their own. I’m happy with selling my eva1 & s1h. I actually picked up a Komodo so I’ll be testing to see how well the gh7 hangs with it.
l have the Sony FX6 as my main camera and use the GH7 as my gimbal camera or for travel or shoots that require a smaller footprint or need the incredible Ibis. What lens do you pair w the speed booster? Just picked up the 9mm 1.7 leica …awesome little lens.
The only thing missing for me in the S5iix are the screen of the GH7, and the time code input. Oh, XLR2 compatibility would be nice… and the OLPF wouldn’t hurt.
In smaller sensors it’s less likely to run into moire issues. Yes the olpf helps but comparing my gh7 & s1h footage they looks the same. One doesn’t look sharper over the other and moire isn’t issue in my shooting scenarios
Servus! Nice revue, P4K vs GH7 in low light ? Do you think that GH7 prores raw can hold it against P4K ? I always found P4K GH5s kind of ok in low light for MFT sure no S5 level but manageable with Neat NR...do you have an opinion about it ...btw unfortunately I am working the same days as your Bayreuter Creator meeting in January (from Biel CH nicht so weit) but I hope you will do it a second time Unfortunately I have concerts as playing musician in the same time and I can not choose when I am free as much as normal job people, kind of the same issues as a filmmaker !!! Grüezi aus Biel Fil
Schade, dass du es nicht zum Summit schaffst. ;) Also das Low light der Bmpcc4k und gh7 ist nahezu identisch und ja mit NR kann man das noch cleaner machen. Persönlich denke ich das BRAW besser ist aber ProRes RAW ist ja auch nicht schlecht
I am a proud owner of the S5II and or me it ticks all the boxes I need. Some nice to have would be 4k 50 with no crop and the Arri Log C3 option but I am expecting for those in the S1H II (hopefully by the end of the year). I would really love to have a GH7 as a B cam for my S5II
this is a good review. i think 3200 is acceptable in low light conditions with a fast lens. obviously if you do a lot of low light (like concert photography/videography or events at night) the full frame cameras will be preferrable.
@@pauleporterdp i want to revise my comment here after thinking about it more. i think it is a very silly decision for panasonic not to use a dual gain iso sensor in this camera when it should have been the standard after the GH5S. i think maybe there was an issue with doing that AND DRBoost. but still, it should be a standard on all cameras now from €2000 and up.
Great review. I bought a used C70 in Feb and went into it with both eyes open about it’s weaknesses as a super 35 camera. Coming from a C100 M2 obviously a big improvement in detail, autofocus and dynamic range. Overall very happy with the camera but I was disappointed to find out the reviews of the image being “soft” were true. I’m not now rushing out to upgrade as this camera serves my needs very well, but the C80 looks like it will fill a nice niche for better low light and detail at an acceptable price for us indie, run-and-gun shooters.
Thank you. The c70 is a little soft but nowadays with so many cameras that have a digitally over sharpened look that isn’t a bad thing. Both cameras are great but most of the time the successor of a camera improves on things that the previous camera didn’t do :)
@@pauleporterdp Agreed - my coworker shoots video with a Panasonic S52 (great camera) but it's almost TOO sharp. My biggest gripe about the C70 and C80 is lack of optional EVF - I find the camera useless outside without one. I've found a workaround solution.
great video! Coming from R5C I was tempted by C70 at times but I really want full frame and didn't like the softness of the sensor for what I shoot. The C80 fixes both of these for me and the new AF and triple-base ISO mean it's an instant buy for me.
No worries. I think personally 6k is a good spot for filmmakers since it’s good to record in a higher resolution when you deliver in 4K. 8k is mostly good for photographers that need the high Megapixels but comes with massive file sizes. So personally I think canon made the right decision here to go with a 6k sensor.
