Schinbein Drum Company services all manner of drums and percussion instruments. In other words we create unique and custom drums, we keep your gear in good working order, we make your existing gear better, and we help streamline your recording processes. We are a fiercely independent company that is small enough to know our customers personally yet big enough to offer truly world-class products and services. Furthermore, we strive to continually work one-on-one with our customers, suppliers and neighbours to ensure the drumming community is elevated beyond where we found it.
Nice jig. I may have to make one of these to save timber. So far I have stuck to angles which allow me to use common angled router bits (meaning I've only made drums with 12 and 16 staves), but if I ever craft something as big as a bass drum I'll use something like that fixture. In any case, much better glue joint integrity can be achieved by routing the pieces down to final dimensions.
Thank you for the nice video! But I am quite certain that when you are holding the mics and describing their sounds, you have them reversed. The Shure 52A is always noted for its emphasized low end and the AKG D112 for its accurate response.
Hi! Thanks for the detailed review, I appreciate it! I am curious about the main laptop compartment - There is no zipper on top. Is the top sleeve able to cover the whole area? Do you think it'd be less safe for exposing items on the side of the bag? Would rain or water still leak into it through the side when fully loaded? Thank you sir!
Inside the Lug box? Once you start describing the parts at 0:31 the music is as loud or louder than you. Maybe this is what happens to everyone, some "teacher" starts blasting music during the important part. anyways thanks. I appreciate this
I just went to Harbor Freight and got one, and it's working like a charm! Old Gretsch Catalina set that has glue all around it; fixed it right up! Thank you, sir.
Why didn't you cut sufficiently thick staves and glue the circle halves together? This solves the problem immediately. The error will always show up in two places, and by using a wedge, you can fix it by gluing the halves together at a 0-degree angle. You sand and glue the whole thing. It may take a little longer, about two days, but you won't have gaps between the staves. Regards.
thanks for the clarifying all the way from 2024. bought my BD case in 2007 and didn't use it for along time. got it out today for a gig and couldn't figure it out. specially cause looking at the buckle it sort of looks like it's more complex than what it is. anyway, thanks again!
You need therapy! The music is horrible and unnecessary! Your face is in the middle of the frame most of the time. This video is not about you or nay be it is. You unable to handle the focus, but it is okay when you do not even show the product and how it works. You got serious problems. Just send this video to a real good professional. (You are not alone, but that should not stop you.)
Thank you Phill for showing how to get the Pony Band Clamp started. It's been many years since I used the ones I have and I couldn't recall for sure how to string the strap thru the "thingy" and I was ok with my thought of how to, but I lacked the picky thingy lol. Thanx big guy!
This review seems to be focused on miked situations without other musicians. For unmiked live or outdoor situations, the extra depth can be essential to round out bass tone. Otherwise, all you get is attack, and the snare dominates everything.
If you are playing more complicated, busy bass patterns, where there is less space between the notes, 14” is the best. Ian Paice, Bill award, Mitch Mitchell, Bonham, all played 14” deep bass drums. Deeper bass drums started being a thing because drum companies started to market “Power Rock” kits and got people to believe that the 18”-20” is a must.
I used the D112 until I ran into the 52a.. never went back. The 52a has so much punch and low-end extension, which is absolutely amazing for studio use as well as live performances. The 52a also cancels out a lot of the drum bleed.
The D112 is by far the most overrated microphone that has ever been released by a major player. It has absolutely nothing you'd seek in any decent kick drum sound.
Either the width of the staves or the angle is wrong. I saw there was a problem when you were rolling the staves and it closed up before you got to the end of the roll. Also, use Blue Painters tape, it sticks better. I know it's 3 years after the fact, but this showed in my Recc's now, blame YT ... for EVERYTHING!
I just came to this late too. Overall good video. As soon as the roll-up wrapped all the way around it was evident that the joints would be open on the inside. I haven't seen the rest of the build but if the diameter isn't critical due to having to fit pre-made hoops/parts I think it would have been pretty tight if he'd just eliminated some staves. Another couple of "late to the game" thoughts if anyone is reading; roll it up before you put on the glue and identify the problem then. If I got that far and realized the angle wasn't right but I needed the planned diameter I think I'd glue up sections... probably quarters... and then adjust the angles on the outer staves of each section to get it to glue up tight. It would also be possible to complete the glue up, making sure it's round, and then fill the inside gaps with epoxy after the wood glue dried. If you're depending on the wooden shell for its acoustic properties that would change it pretty considerably... I think.
Hey Phil!! Such a great idea that I plan on doing myself to my 64 Slingerland gold sparkle. Just curious, does it transition well to the original sparkle finish?
Exact reason I picked up a new Tama Superstar Classic 22x14. I can actually get a normal rock kick drum in and out of my back seat with an Ahead bag on it. And the feel of a 14 deep is so much better imo.
Could probably use a much cheaper foam alternative (like one of those harbor freight fatigue mats, or maybe even cut some pool noodles in half and use half the circumference? Just an idea) & save the kaizen for the good stuff! BUT I have to say that I love the ingenuity here! Cheers
Unfortunately I don’t think the clamps held it in weird ways. Small amounts of error became large final error when multiplied over all the staves. If the angle is dead-on, it has no choice but to be closed right when clamped. I know from experience the hard way!
That's definitely what happened. Either the table saw isn't accurate enough or he's to sloppy. I think a little from column A and a little from column B.
@@schinbeindrumco sorry for the odd comment lol. I've had a little wine :) I believe you were adjusting your blade angle on your knees and the shot just looked like an old "Dorf" skit.
I recently acquired a Premier '1026' snare drum. Dismantled, cleaned, reassembled. The clever thing about those washers, for me, is that you don't have to remove the bolt to take a tensioning bracket off. Unless this is standard for this style of snare? My first snare restoration, so what do I know? Works for me.
Why not feather the wrap to the edge to conceal red finish? Now it’s beyond apparent that’s it’s a re-wrap. I feather all of my wrap to the edge, looks cleaner and more professional and hides any previous finish. Great tip for a clean/new shell though. Also the beat box music is crazy annoying had to watch it with the sound off.
Thanks for your reply. The shell was too wide for the wrap to all the way to the edge without interfering with the heads at the overlap. Originally, I was going to just tab out the wrap, but offsetting the wrap and leaving a clean edge looks better. The red underneath is only noticeable when you change the heads, and the fact that that wrap isn’t offered by that company is a far bigger tip off. As far as the music goes, thanks for your opinion…?
Thank you for sharing this!! Can’t find any methods to help my situation. First round of rewrapping my shells. I cut the excess wrap off with scissors and then followed up with an exacto knife. The edge of the wrap around the bearing edge isn’t a consistent cut. Going to try this method and set it below the lowest point of the inconsistency and hope that it evens everything out.
So looking to make a set for a Pagan Post Black Metal band, because nothing says metal like a good pair of Clave. 🤘🏻 my questions are does any hard wood work or do I need a certain kind, and can I shape one end of them and as long as the...shaft... is straight...? Yeah no clean way to ask that.
Your traditional tone woods work best, but really any hardwood should be fine. The shaft doesn’t actually need to be all that straight really. At the end of the day it’s a stick you hit with another one.
I found it on their website. They’re referring to used pizza boxes. If you send a cymbal back in a clean box, like the one in this video, I’d be willing to bet they wouldn’t have any problems receiving it.
Random question... I've got an older Mono bag that I've worn out, the Kontroller bag. I want to get one of these, but I travel with a Mono guitar case on my back & bag on my side. With the way the strap is angled, would it hang on the side as well, or would it by nature want to slide to the back?
