I have been a big fan of this trick ever since you made a video about it a while ago. I was of the same opinion that the comb filter in vital is super noisy and resonant and there's not really anything you can do to mitigate that. The flanger sounds much better though
I noticed the problem right from the beginning so i started deleting modules if i didn't use them in the last 4-5 patches. I ended up with a quite small collection that has everything i really need.
while its typical to have it pitch downwards through the whole kick, i do like to have it end in a flat constant tone, which enables me to properly phasealign with the bass. its a bit of a tradeoff(you can let it keep fading 1-3 hz the last 35-45% of the half bar to counter this a bit, while still getting an almost "clean" note to align with). the continous down pitch sounds a bit more pleasurable, but the perfect phase alignment does also sound very pleasuarable. as im making music around 10-15 bpm lower than ollie, i do have a bit more time on my hands.... in between the beats that is
i think the very short initial fadein in the amp curve is very interesting. i havent seen others do that, but i see it instantly solves the issue with kick2 having a sharp abrupt cutoff at 24khz. while not consciously audible to most, it is subconsciously audible and probably affects the actual performance of the tweeter 👽
Really too bad that in your videos the demonstrations of your modules only serve to make noise and not music! listen to Helene Wogelsinger and you will hear the difference!Borring
J'écoute même pas de trance mais j'aime beaucoup tes contenus, la serie juste une saw et un filtre est excellente, c'est straight to the point. Pas encore installé cette émulation de Virus, ça va me motiver ça...
