At 1:25 check out that hand/wrist action - her boyfriend was a lucky guy in 1965 PS - what a GREAT live band they were - great talent back then, as a kid you were in awe of many of the talent of groups/artists - in 2024 do kids today admire the talent of today's rappers and pop stars - they may love/like them but in awe of their talent? Doubtful...
In the first crowd shot, when they're doing "You didn't have to be so nice" (about 3:36), the one guy looks like Mark Lindsey from Paul Revere and The Raiders.
My two favorite Lovin' Spoonful songs and being able to see them live is great! I've seen the "Do You Believe in Magic" portion before, but the sound quality was pretty bad. Thanks!
Fuck bringing "color" into the equation. I'm so tired of people feeling like they have to acknowledge race inequalities today. This is why we can't have nice things
My generation. But to be fair, we were angry that the Woodstock generation didn't deliver its promise of a vast social revolution. Both our generations failed to factor in human error and the colossal greed of those in power...and what they would do to maintain it.
Get a Repub in the WH and look what happened, Total Mess. Millions dead from a Virus that could have been stopped, but nope, it was fake and no problem, it wan't anything. Surprise ! Bye Trumpy-Baby !
@@fshoaps The Big T.N.T. Show is a 1966 concert film. Directed by Larry Peerce and distributed by American International Pictures, it includes performances by numerous popular rock and roll and R&B musicians from the United States and the United Kingdom. A sequel to 1964's The T.A.M.I. Show,[1] and, like it, executive produced by Henry G. Saperstein,[2] The Big T.N.T. Show was likewise shot on videotape and transferred to 35-millimeter film.[1][3] Some footage from it was reused in the film That Was Rock[3] a.k.a. The T.A.M.I. / T.N.T. Show (1984).[4] The concert was shot before a live audience at the Moulin Rouge club[5] at 6230 Sunset Boulevard Los Angeles, California on November 29, 1965.
They definitely take a good dose of "artistic license" back when they filmed this. In the opening scene a sub gets rammed by a Japanese destroyer while at periscope depth. The scene ends with the crew crawling up onto wooden flotsam. Now we all know that it'd be extremely difficult to find enough wood on a submarine to start a campfire, let alone enough for a bunch of men to float on lol... Oh well, it's still a great classic film...
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