I have a strandberg boden modern 7. The brand is strandberg so just go to their website and check their stuff out, they make great stuff. Pretty pricy though, I got mine from a friend for a rly good discount

@@jadendupree7398 Ok, thank you!

Thank you man :) I practiced a TON ever since i started freshman year, so this was just the result of a ton of hours put in. And I still missed that top note at 1:49 😭

@@jadendupree7398 I just started practicing a ton in October to prepare for dci auditions (I’m a sophomore and just turned 16) and I haven’t stopped since, hopefully I will be able to play this solo before I graduate high school

how do I get more coordination between my two hands preeetttyyyyy pleeeaaaassssseeeee

@londoncalling05_47 practice a ton of different excercises. Look up spider excercises to get started then make up your own. Don't always go for your fastest speed, chill at a speed you can do perfect for a while and just focus on how every single motion feels while you do it. After the pathways are completely ingrained, then speed it up and keep the same relaxed feeling, going for minimal motion. And just be patient, it takes a while. Just practice w a singular goal and stick to it for a bit. It can be a very boring process so I like to watch RU-vid while I do it bc I got tik tok brain rot lol. Hope this helps, and thanks for the support!

DM me on Instagram @jdupree114. I can give you some tips there

Thank you man! Doing guitar in a show is definitely possible, you just have to be able to do everything yourself because the techs/director won't know how to. If you wanted to make it happen here's what I'd do: 1. Show your director proof that guitar works great in shows. Great examples include RCC 2022, BD 2023, Broken City 2018, and many others. 2. Have a plan for your rig. This is the hardest part, but a low budget solution would be a Line 6 Pod HD Pro X. That's what I'm using for this year. I have other stuff such as wireless plugin, wireless in ear monitors, a midi patch changer, and a volume pedal, but you really only need the amp. A volume pedal would be great though if you can get one, so that you can do dynamics with the rest of the ensemble. Make sure it's a true volume pedal though, not a midi expression pedal. Then you just go amp into the mixer direct. Or, if you have money, the line 6 Helix has a built in volume pedal and sounds a lot better. But it's about twice as expensive. 3. Know how to write guitar parts for shows. In an ideal world, the composer of the show writes the show with guitar in mind rather than having it as an after thought. But that won't start happening for a while, guitar is pretty new to the activity and people don't quite yet know how to write for it. If your director would be willing to hire me I could write a guitar part for pretty cheap, however if not it's up to you. Easiest way to do this is to look at the full score, pick a part that you want to play, and just double it. Maybe play the vibe melody on guitar for a phrase then switch to marimba runs. Problem with this is that you won't be heard much, as if you are you'd be covering keyboards dynamically. So you'd be adding to the sound without people even really realizing it. Final step is a find a way to make the doubled part guitar-y, but adding bends/vibrato/slides/harmonics/whatever you can. Hope this helps, guitar has a lot of potential on the activity, it just has to be proven :)

Thanks for the pointers man!Ill remember them thanks for all the pointers!I didn’t really expect you to resond😂.I’ll remember these. Thank you so much!

I don’t have much of my own rig tho

Thank you so much man, I really appreciate it. I'm very lucky that they allowed me to have a lot of freedom with my part, so I was able to create parts that non guitarists wouldn't really know how to write. And the setup is a bit complicated but it ended up being super ideal. The chain goes wireless connector, into the amp (rack processor technically), out to the volume pedal (on the left), out to the snake which goes to the mixer. Then the mixer went into a wireless in ear monitor system, which I could change what channels were being sent and the volumes of everything through the mixer. I also had a midi cable connecting my rack processor to a midi foot switch controller (right side) so that I could change patches and adjust whatever parameters I had set on the expression pedals, such as reverb/delay/compression.