We're Libby and Marcel, a full-time traveling couple recording unique sounds around the world! Follow us as we go to different destinations, showcasing new audio gear, and providing tips and tricks with field recording and sound editing! How you can support this channel: ► Our Website - www.freetousesounds.com/ ► Check out our work on Bandcamp - freetousesounds.bandcamp.com/ ► Check out our All In One Bundle 2.0 www.freetousesounds.com/all-in-one-bundle/
only.. you'r a narcissistic scam that can't accept critics about your work and this terrible bad quality library you sell for 25bucks and ban people when the ask you for a refund (as you offer).
I seemed to pick the Tascam X6 as the winner a majority of the time. Tascam recorders seemed to roll off the high end up above 14-15k in a pleasant way. I had a DR100 MKIII and transitioned to the Sound Devices Mixpre 3 II and I made an EQ preset to match because there was this sort of nasty high end on the Mixpre using the same preamps. I use external dedicated Sound Devices pres because I like the input and output transformers. I record line-in. Even then, I like the sound of the Tascam better and how it captures the output of my pres. I feel like the Mixpre 3 II, and Zoom F6 32 bit recorders are like Color Negative film. You get a TON of latitude, but the image needs to be kneaded and worked on to make it look the best. It needs serious color timing and grading for it to really work well. The Tascam is kind of like reversal film. There's not as much latitude, is has a lot of exposure weaknesses, but it looks incredible if you get it right.
Hi! We never moved over. We're doing everything at the same time. However we won't post a lot of longer form videos because the views and the interest in such content in general is very low.
Katuneriya Beach is an amazing place known for its breathtaking sunset views. I stumbled upon this gem by accident and it has since become my go-to spot whenever I need to unwind! 🙂
After watching the full video they both sounds great. I might need to listen to bandcamp versions because the RU-vid compression might be sounding off the sound.
I'm curious to know how you would handle an auto level feature like that on the Zoom H1n, I defaulted when I got the device to using it because I liked the idea that it would adjust the gain for dynamic sounds on the fly, but I find it brings up a lot of the H1n's inherent noise floor into the recording, and based on how it adjusts the gain, I think it will constantly be listening for differences in perceived volume so I'm trying to think of a scenario where this feature might be more desirable.
Hi! I hope you are fine, I am looking to buy a field recorder, I was looking for the zoom h6 or the sony pcm a10, I want to record nature sounds, what advice can you give to me please 🙏
This is interesting. I have no interest in buying any of your sounds since I have no interest in using sounds. I record sounds as a hobby and follow you to simply see the "how, why, where and what with" to improve my sound recording 'ability'. Anything I do record (and process) I upload to freesound. I simply enjoy the 'doing' part - both recording and post processing - then get a kick out of seeing how many times my sfx (not tried ambience yet) get downloaded.
Ich bin seit ca. 3 Tagen im Field-Recording Hasenloch verschwunden und es ist wunderbar =) Ich habe hier seit, ungelogen, vielen Jahren einen H4nPro herumliegen, den ich beruflich bisher vielleicht zwei Mal im Einsatz hatte - als gewöhnliches Interview-Mikrophon. Das Sounderlebnis meines vorletzten Uploads ist eigentlich der Grund dafür, warum ich überhaupt in dieses Loch fallen konnte. Nach vielen Reviews, natürlich auch hier, von euch, komme ich immer mehr zu der Erkenntnis, dass ich den H4 ruhig noch weiterhin benutzen kann und mein Geld vielleicht besser in Mikrophone stecken sollte. Ich habe mir aus lauter Verzweiflung zum nicht verfügbaren Lom-Geofone erst mal ein Korg CM-300 gekauft, damit ich etwas zum herumspielen habe. Vielen dank für eueren Content, es entsteht gerade so etwas wie eine neue (Klang) Welt vor meinen Ohren. Liebe Grüße Dieter
Hi Dieter! Thank you so much for reaching out! Yes, the H4n is still a great recorder and you don't need to buy a new one. If you get a nice stereo set and good wind protection, that's all that matters to start with. The CM 300 is great but quite noisy. We have the Metal Marshmallow, which is unbelievably quiet for a contact microphone. We made a couple of shorts and IG reels with it. It's pricey but definitely worth it.
Soma simply behaves like a radio receiver with a tuner knob and volume control - by touching the antenna you are simply 'retuning' it. You could get the same result removing the antenna from you AM/FM radio and plugging that into your recorder.
