I especially want to do the staff and the staff. If I can get it, thank you very much, because you have changedI especially want to do the staff and the staff. If I can get it, thank you very I especially want to get the staff and the staff of this piece. If I can get it, I will thank you very much, because you have arranged it very well.much, because you adapt it very well. it very well.
Hi I made the music score for this, you can write to me privately/你好！有谱子，你能跟我写私信在 Facebook messenger Daniele Defranchis (大胡子) or 小红书 Daniele 大胡子老师 还有哔哩哔哩 丹尼尔大胡子老师
@@io_metre Uzbekistan should be more Capricho Turke than Arabe hahahah. Still a lot of Arab influence in the buildings and in the Arab calligraphy all around the historical buildings in Samarkand, Bukhara and Khiva, so I liked the vibe of Tarrega’s caprice in the Registan. Thank you for the comment! 🙏
@@ippe78 not Arab at all. Persian. They were a part of Persian Empire. And buildings are more like in Iran not Saudi Arabia. I traveled a lot through both regions. Keep going. Sounds well what you do 👍🏻
@@user-li2tm9ny4v Thank you! I think the guitar arrangement is by Brian Jeffery, I had an old score and it worked perfectly. Cello plays the vocal line.
Ok, I like that you put the small screen in so I can watch the switch, but I will have to watch it more than once.😲 Because I can’t stop watching your playing. It’s awesome!
Hi! We haven’t made one yet, we used some versions and put it together and we always play by memory. But we plan to write down our arrangements, I think this year we will
Hi, thank you. We use an old copy that I have, for voice and guitar, that sound so good. Unfortunately on the copy nothing is written, I think the edition is by Brian Jeffery
Thank you! Please check the studio version, multicam video and live performance Crystal Ann | The Source ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-3G2FucNKZoo.html ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-l7w8bCgN4Ng.html
Hi! No 琵琶语 pi’pa yu (the voice of the pi’pa) is a Chinese melody. But the arrangement is mine. At 1’11’ I make my variation of the theme, and from 2’30” it is all my part. Glad you enjoy that!
Well, quite not knower of the guitar and music. I remember what Claude Debussy said about guitar. Guitar is a small orchestra. Would it be possible on some other instrument, for example on the piano?
Hi! I know there is a version for piano, but I fear some things would be lost: the bending and slides and the tremolo, typical of the pi’pa, cannot be reproduced on the piano. But sure it can create a more ethereal version of the melody, and develop richer harmony
beautiful! nice sound on that guitar! how did you set the line in input, is it the mic inside the guitar or the piezo pickup that you used? and did the ambient mic get connected to the loopstation?
Hi! This is a Yamaha NCX5, it has a very special system inside. I use that one in the loop station. That one is connected to a Roland AC60. The Roland is connected to the mixer from its output channel. The ambient mic is taking the sound in the room, from the amp and goes in the mixer. Then I mixed the two sounds, line and ambient, about 60% ambient and 40% line
@@SchlimmShadySmash hahaha definitely harder to write than to do, believe me. It is only: guitar > loop station > amp, if you are looking for that sound. The mix is only to have it better sounding on recording. The big deal is the guitar you use. The NCX5 has a fantastic onboard mic that makes is sound so good and rich, almost like a real acoustic instrument. I recommend not to use the ambient mix in the loop station, or it will record and loop all the ambient sounds it catches.
@@ippe78 Ah okay, thanks for the clarification. I'm looking for a good live stage setup for a nylon string guitar for an upcoming live performance... I just wish I knew if my Cordoba GK Studio Negra also has a good in built pick up system! I guess I'll research that now, and your guitar too. Thanks!
