Sorry for the focusing issue, I since realized I needed to light my foreground a little more to stop the camera from trying to focus on the screen behind me.
The drums were a very noticeable difference, with more high end in the RCA. The acoustic guitar was virtually identical. Did you all use a high impedance pre-amp or Cloudlifter Hi-Z for both mics?
Hi David, no inline booster/lifter was used. Both mics were straight into a set of Ward Beck 660's. The WA 44 was quite a bit more output, I turned it down to match the RCA but left it up a bit to show there was a difference. What I noticed on the acoustic was the WA 44 was very muddy sounding. but superior on the drums and vocals. I used Sennheiser DT 990 Pro headphones to put the video together, the differences are much more apparent on the phones. In my own studio, I always use an inline booster and sometimes with an impedance loading device.
MASK! That's the key! I designed my own motor and crimper but I have trouble with the al. sticking to the crimper but I still get some out. But yeah, a mask... blast. I'm having the same issue with duty for my own stuff, it drives me insane. And that transformer... mother ...
Thanks for reaching out, are you leaving the material sandwiched between the wax/parchment paper when running it through the crimper? It shouldn't stick if you do.
@@micsbyshane need to take more care but it was really breathing that kept catching me out. Now I need to work on the tensioner and magnet positioning.
