I first heard this at the Old Bridge Inn, Aviemore not long after it came out. I was slightly gassed at the time but not so gassed that I didn't manage to ask the DJ what it was. Been here ever since.
I can remember break. 4 love. On radio one. For. The. First time in the 90. S. Then klf. ?, but we laff d. About. Country mixed. With. Hip. House. 🏠. Look 👀 ware we are now. ABBA style.
Un ami français qui travaille en Équateur ma fait de découvrir cette chanson qui est en l'occurrence au top un mélange de psychédélique ❤ bravo pour le melting-pot de son Türkiye
Todd is still ahaed, he totally get how you make an edit, respect the original material, correct the weakness of the recording and add elegant acide which work with the origianal material and give it a brillant mixdown. Pure and pristine
Keep dreaming malaka. Look at your alphabet its actually look cave mans writing loool. Turkish is most beautiful language. If you learn writing, you can read too. Its old and modernized. But you are small malaka why am i explaining to a jealous villager ?
Que delicadeza la cancion de John y Mary, el set es tan hermoso, siento mucha felicidad saber que mis gustos musicales son compartidos. Muchas gracias Todd por encontrar mis zapatillas de baile, luego me paso a recogerlas 😉
Olaf Olsen drums (Terjes brother) also played drums on danish tim christensen Live At Abbey Road Studios (2004) ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-pnR54WNTzfI.html&ab_channel=JaniLahtinen
Storytime: pitchfork festival chicago 2016: I got tickets to the festival on the bus (clutch), then was enjoying the festival all day. We noticed Todd Terje was playing. I knew Inspector Norse, so I'm like Ye lets scope this MF. Little did I know it would be the greatest live set of my life! My friend and I were just leaning the fuck back on a huge tree ass the Todd Terje band playing. It dont get much better than that
This is what I love about Todd Terje. He's a very unique dance producer in that, he'll take an old song like this, and rather tuan overproduce the hell out of it and turn it into some 'put your fucking hands up' modern EDM type trash, he puts such a subtle twist on it that still retains respect for the original. He adds a slightly more danceable beat, a few synth pads interspersed here and there, and lengthens it. It's enough that it does sound different, but not too different to completely take away the spirit of the original track, which already is as perfect as it is. He's removed nothing, and only added minor extras, and the result is a track that sounds of the time, as if Jolene had a disco edit released. I would recommend Terje's takes on Stevie's 'Superstition' and Michael Jackson's 'I Can't Help It' for more of respectful and appreciative remixes loke this.
