Hi there ! I'm Mosbi, I play bass and guitar, I'm learning the drums, I like prog, djent and tabbing stuff in Guitar Pro. Currently considering starting a cult to worship our Lord and bass player Amos Williams. Have fun !
Close ! I believe it's actually a variation of DADGAD but 3 semitones lower (and with the extra E on top). The main point of this tuning is that you can run the same shape on different strings and it will work !
It's a great outro for sure ! Your comment gave me the idea to add the timestamps of the different riffs which can probably be useful for learning the different parts, so thanks for that :)
@@LeMosbi yea nolly is known for making some really hard bass lines. I have played “The way the news goes” and it’s not as hard as some of his others. That one would be a good one to do. Or absolomb
Hi ! Thanks for checking out my cover of Cages. I'm also proud to announce that I am now affiliated with Guitar Pro. If you want to buy the software and support my work, please consider doing so by using my affiliate link in the description. Thank you !
You played this extremely cleanly! Not to mention the fact that this is one of the most balanced distorted tones I've heard from people with Dingwalls!
Bro, that's the best transcription of the verse riff that i've seen anywhere. The others didn't make sense but you finally made me understand it. Great job, awesome tone!!!
Thank you very much ! 🙏 This definitely was one of the hardest ones that could hardly be transcribed accurately with only the audio, had to see them live and film this exact moment fully zoomed in on Amos tbh 😅
I see that Jackson has its own limited edition Soloist SL27 with 27 frets. It has Seymour-Duncan pickups. Does anyone know how that guitar compares to the one Bernth plays here?
@@francoishtzl157 The preset is basically made of a sadowsky preamp capture and axeFx capture for the distortion (and of course EQ/Gate), I'm not sure what they actually used on the album though.
@@francoishtzl157 if I had to guess, I'd say they mainly moved to quads for touring purpose. Also since they need to be able to play older songs, capturing the original tones makes more sense than spending a lot of time trying to recreate the tones in the quad.
That sounds like a very Mos-y thing to do ! I try to stick best I can to what I hear on the original record, even though sometimes I'll still add a slide or two like he would :)
Probably my favorite Tesseract song from my favorite Tesseract album, lot of memories (both good and bad) attatched to Polaris... Anyway, thank you for this cover, man. You absolutely killed it, as always! 🔥🤘🏽🔥
@@dek86s well, when a song or an album becomes the soundtrack to a certain period of your life, it's bound to evoke the memories of things that happened during that period, both the good things and the bad things. That's my case with Polaris.
