Founded in 1984 near Paris, France, L-Acoustics is the market leader in professional sound reinforcement technologies. With over 400 team members worldwide and offices in Paris, London, Los Angeles, and New York, L-Acoustics is present in over 80 countries via our network of Certified Providers. Focused on solutions that elevate the audience experience, more than 20% of L-Acoustics’ talent is devoted to R&D in the areas of acoustics, applications, mechanics, electronics, signal processing, and software development.
Recognized for pioneering the line source array, L-Acoustics continues to shape the future of the professional audio industry with L-ISA Immersive Hyperreal Sound technology, a multidimensional, object-based approach to designing, mixing, and processing sound that results in extremely natural and intelligible audio and a more vibrant, and authentic connection between artists and their fans.
Need to add a few more tips about routing. Followed your simple instructions but Logic audio is not reaching through L-ISA bridge to the audio interface (EVO 16). back into the L-ISA soundscape. Input/output Signals showing on the processor desktop but I´ve hit a brick wall now in regards to getting activity on the L-ISA soundscape interface.
I was in the nosebleeds at this venue (2024) for Sessanta and couldn't believe how clear and powerful it still sounded far away. Highs, mids, and lows were all presented well. I thought it was going to be terrible but I was very impressed.
LA acoustics may be the best sounding box in the business but there's next to nothing intuitive about the system and it's unnecessarily complicated. About this video: Referring to points in the sound industry, commonly refers to rigging points, not the size/position or juncture of a given surface. And how is a novice to L'acoustics supposed to comprehend what -10 represents when creating a "point" on a surface? For a complete beginner, this video falls short of a starter to Soundvision. L'Acoustics can do better
😂😂😂 not all china cheap speakers are bad.I work with Cvr audio line array like 3 years i did never have problem with them.First i was working with Rcf.Price are going to hight!!
Fake speakers and budget speakers are two different things. Fake speakers are never systematically designed, but budget speakers are, at least to some extent. I‘ve heard a pair of fake JBL SRX which sounds like sh*t. That's probably because the cabinet of SRX is designed to be used with low-profile lightweight neodymium speakers which occupies less capacity. When a huge speaker with heavy duty ferrite magnet is placed inside the box, there's no enough space for the speaker to work well. Also, the crossover used on fake speakers are never tuned to match the drivers and the cabinet. Sometimes the tweeter is far more sensitive than the midwoofer, but there's no treble attenuation circuitry on crossover board, so they sounds ear-piercing like a hundred of angle grinders are cutting on your eardrums.
This is what should happen with this company... A state of trance Rotterdam. The bass was unbearably hard and if it was the fault of the acoustics, then ok, but if it was the equipment, this company would be closed down
L Acoustics has never made one loudspeaker ! At L Acoustics they just assemble components and don't have the great knowledge of JBL World leader or RCF Italy.
Great news! But why is the speaker array not imported, is this possible? Or is there a way from SV to Vectorworks, so the array with height, splay, elements and all is importable in the VWX?
Do you think China is worried about this video, they will always make fakes, there is no point in trying to intimidate, if L Acostic made this video and why is it so bad? or because the aesthetics are so perfect, maybe even the sound goes unnoticed.
