This was not the Rotograph. It was the Setback Camera, billed on screen as The Stereoptical Process. The Rotograph was a form of what was later called "Aerial Image Photography" where compositing of art elements like titles and animation could be made on a first generation negative to avoid using the Optical Printer and generational loss. My question is why was it necessary to alter the frame rate? The action has been sped up. This has put the soundtrack out of sync.
this seems cool until you realize these mfs really thought they are some racially superior samurai mythical people and acted like the nazis of asia, an ideology that still exists among the rising sun flag waving right wing scum of that "empire".
12:17 this frog is a monster and a nightmare 😱😱😱😱😱😱😱😱 But the thugs who being sucked by Jiraiya at 12:26 look to say "come on dude jump inside the frog he have 50 grands" 15:17 the snake: i'm a freak just kill me 😭😭 15:22 the snail: cool life dude
I heard that it was the original story of "The Magic Serpent" 🐸💥🐲 that was delivered on New Year's Day.🎌🎍 I think it's not much different from the current entertainment movie except that the sword fight is a performance. Japanese people have always loved special effects, so I'm smiling. 🤗
actually what is the drought? I am a 2006 baby, but I remembered the early days of godzilla, ultraman, king kong, etc., (thanks dad for showing me a computer at a very young age), but i dont remember or forgot what it was.
@@JPisnotaquasarnorapulsar basically, there was a good 10 years between Godzilla: Final Wars to Godzilla 2014, there were very few high profile kaiju movie. There was the 2005 King Kong, Gamera the Brave, and Pacific Rim, but I can't think of any other, and I'm being generous with Gamera.
Amazing piece of animation history :) This was in the 1930s and they used some very sophisticated techniques. Where did you get this video, was it a DVD extra?
This was a segment in an issue of the POPULAR SCIENCE series produced by Jerry Fairbanks for Paramount. That library is owned by Shields Productions. Supposedly this footage was to have been licensed, but it is floating around on the Internet.
