Thank you very much! I recorded this video in May 2023, but then I was posponing and postponing uploading it and sudenly I realised that it is more then 1 year. 😮 Time runs so quick. 😅 But your kind comments encourage me to next recording and uploading! 💪🏼 Thanks!
My favorite Bach organ prelude and fugue. Your playing is spirited and moving. I can't imagine playing on five keyboards without being an MCU creature with extra arms
Beautiful performance of that awesome piece!! But sorry, that 8' reed at the beginning is hideous!! Shame on the organ builder....it's like it's not quite a reed and not quite a diapason and takes the worst from both sounds ....
That playing on top manual at 4:00 would make Bach smile, it takes amazing finger work to play this complicated piece! It is such a treasure to be able to see this performance! Many thanks from Canada!
Both ladies are fantastic 🥰! I love the power and dynamic of your playing. Wonderful play of your fast and flexible hands and fingers, great movement and your amazing pedalwork makes me breathless 😘. Would be great to see it from the side. Love regards Steven
Ahrrrrrrr no no noooooo so many mouvements for nothing. Bach it is not this ..... absolutly not this.... !!!! Sorry. You play it like a robot. No émotions !! It's a very hard part to play and you play it like if you missed your train .... to fast and all with no émotion... you just play and you absolutly don't hear what you play !!!!!!!!! It's not a race !!!!!... so fast ... toooo fast and always in the same tempo. To fast .. to many mouvements of Head and hands for nothing (yes may be just for your point of views but Jean Sébastien BACH is not that ! You spend so many thousands hours to learn and play this magnificent part and you destroyer all your work by your rapidity and make like all others players and without to ask you and thinking about music of 16's century .... ), to manyyyyy fast. So many (to) in this texte. You re a good player but trie to translate émotion without partiture You have all the notes Now you have to work manyyy of your thinking and understanding how dors it work ²
Why is she moving around so much?? It is totally unnecessary. And why is the beat so flexible? This is majestic music, not a free for all. Much of the time I can hardly tell where the beat is - and I have known this piece for almost 60 years.
@@organman52 No. You absolutely misinterpreted my words. I only wrote about MYSELF and answered your question. Didn't speak nothing about those who are poised and still.
@@Parketak Some words of advice from Nadia Boulanger [MY teacher over 50 years ago]: "As performers, you have to play with honesty, not to express yourselves but to give expression to the work; not to try to say my Beethoven Sonata, my Chopin Scherzo, but a Scherzo, not even by Chopin, a Scherzo that was given Chopin to write and that no longer needs Chopin to be a masterpiece. It no longer needs a performer, or a listener. It needs nothing. It is just floating in the air, ablaze with light. Then, you look at it or you don't." Of course, you will find something negative to say about this because it exposes this organist as an egomaniac - and we can't have that now, can we?
@@organman52 Why do you think that "it exposes this organist as an egomaniac"? I don't think so. I'm only giving expression to this work, as Nadia Boulanger says. And I enjoy it.
🇮🇹❤️🌹👏👍 ~ Tra i più bei brani d'organo, peraltro magnificamente eseguiti, che abbia mai ascoltato. Mi sento di ringraziare l'organista, anche per la scelta dei drani stessi!!
Greetings and thank you for sharing a most inspiring performance of a glorious piece of music. This recording has blessed me for the past 6 years and it’s just as impactful as I listen now. Please continue to play! Your gift is a blessing. Be encouraged!
Jedna z mých oblíbených Bachových skladeb - vychutnal jsem si vynikající hru organistky, která si zvolila této krásné skladbě odpovídající tempo, registraci a výraz.Gratuluji! Je to už 19-20 let, kdy jsem měl možnost zahrát si na téchto mistrovských, a krásně znějících varhanách díky mé dceři, která tehdy studovala na olomoucké univerzitě a vzala mě do chrámu Sv.Mořice, za co jsem jí dnes nesmírně vděčný. Tenhle koncert mi připoměl tehdejší nádherné časy. Děkuji Markétě Prokopičové za hluboký citový zážitek! One of my favorite Bach compositions - I enjoyed the excellent playing of the organist who chose the appropriate tempo, register and expression for this beautiful composition. Congratulations! It's been 19-20 years since I had the opportunity to play this masterful and beautiful-sounding organ thanks to my daughter, who was studying at Olomouc University at the time and took me to St. Mořic Church, for which I am extremely grateful to her today. This concert reminded me of those wonderful times. Thank you Markéta Prokopičová for a deep emotional experience!
Finally. A musician who understands how to awaken the drama and raw power of this masterpiece and send it straight down the spine of the listener. This is one of the very few renditions of the Widor 6eme Symphonie which I consider to be masterful. Thank you for doing such justice to the great master's music. Subscribed.
I love watching pipe organists at work, with all the intricacies of moving between manuals, working the stops, and playing the pedals, to make wonderful music!
Iskreno Marketa: ovo je najbolja izvedba BWV 552 trenutno dostupna. Raspalili ste orgulje. Tako treba. Srčano i snažno. Pritom kada su orgulje moćne potreban je dobar osjećaj za vladanje nad njima. Interpretacija odličan (5). Sve je odličan (5). Tako treba. Orgulje u punoj snazi. Za dojam i hrabrost i motiv. Hvala vam na ovome, svaki dio bih i ja jednako interpretirao i registrirao. Iskreno: ovako ovaj komad može odsvirati samo čovjek koji ima mnogo duha u sebi. Izvedba je s vašim potpisom. Teško će je netko nadmašiti. Mnogo truda ste uložili. Hvala vam. Uradak je veoma slušljiv i više puta bez obzira što dugo traje. To je vaša zasluga, ali i vama nagrada. Bravo!
