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For newbies, you should explain why you don't select input gamma and output gamma. Interesting to see how you operate the node tree, totally different of what I would do.
This is a lot of help in a short amount of time. As a complete novice i would love to see you do some 'extreme' examples before 'pulling back' to better point out what you're referring to.
Hmm all my time goes to work atm which helps. The reason I’m tired is because I’m building Storyflow and Digisell two softwares in my free time. But to be fair I don’t do a lot of thing people do on a regular basis like Netflix and scrolling. Which helps🙏
@@justkayy i actually joined filmspace quite a long time ago, but found it quite inactive and wandered off over time. Do you plan on making maybe a bigger community on Dsicord or something👀?
Bro, i struggle as well, but don`t let your inner excuses take over. If you wan`t something bad enough, it doesn`t matter if you are tired, sick or anything under the sun, because you know that "this is what it takes to get what i want". Keep pushing bro!
Hey 'Justkayio', and to anyone who reads this! Hope you're all doing well! Just wanted to stop by and let you all know that God loves you all very much, and He proved it by sending His Son Jesus to die and rise for us. We're all sinners and rebels according to the Bible, and we've all broken God's Laws (the Ten Commandments) in various ways. We deserve hell as eternal punishment, BUT if we repent of our sins and surrender our lives to the risen Jesus, we will be saved and forever forgiven of all our sins!
It's more than just lighting. Motivate every shot. Don't waste any camera angles, don't have dead air between shots. Keep it tight, keep it motivated. Serve the story the best you can. Because, at the end of the day, story is all you have.
3:35 not sure why you’re mixing generations. Gen 5 film is what you should be using if your camera is up to date. Otherwise your colors are going to come out wrong. Between the two generations, a lot of the colors have been tweaked and the overall saturation was adjusted to be consistent with the other cameras, so most of your hue and saturation is wrong when you do it like that
If you came here looking for a practical guide and breakdown of the IMAX look instead of a generic color grading video, check out the video Postromo Pictures did about it.
you're such a goat bro, i'm kinda obsessed with IMAX lmao and I have always wanted to get a similar look as IMAX movies specifically IMAX 70mm movies, and I appreciate you making this video. God bless
Then you'd have to search what is the film stock of the movies you liked, IMAX is not the film but the format, it's like sensor size for digital cameras. And even then, some film stocks like Kodak Vision 3 are made for color grading. For example: Oppenheimer was filmed with Vision 3 250D on IMAX but if you shoot with it using the exact same lenses and everything, you might get close but not a similar result. I'm learning to color grade and sometimes I shoot stills with 35mm cinema film stocks, especially with the Kodak Vision 3 500T
