Stop making this Colorgrading mistake... Do THIS instead.

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In this video I go over a technique called halation. I go over the technique in Davinci Resolve and showcase how I use it. This technique is used in many music videos and movies trying to imitate the beautiful glow that it's all about.
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Documentary, cinematic video, Colorgrading cinematic video, colograding cinematic short film, sam kolder ,travel filmmaker, travel video cinematic shara, sahara cinematic,drone mountains video 4k,travel cinematic video,travel drone video cinematic,cinematic video 4k, niklas christl, yes theory, peter mckinnon, film look,cinematic video 4k nature,cinematic short film nature, a cinematic short film, justkay,cinematic drone videos,dji mavic 3 cinematic,dji mavic air 2s cinematic video,drones,dji, cinematic 4k drone videos, travel filmmaker, travel cinematic video 4k, cinematic drone videos, movie film look, justkay film emulation

Опубликовано:

6 окт 2024

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Комментарии : 26

@ZEUS Год назад

Your node explanation was good, telling people that they should grade before a lut. The only problem was, is how you setup your color management. Your output needs to be set to what your screen is. Usually Rec 709 g2.4 If you set your timeline to rec709 then you’re loosing all the information the Arri Alexa provided you with. So you turned an Arri into an iPhone by doing that and limiting your ability to push the image before it breaks. Change your CIE to Arri or DaVinci wide gamut. Or better off ACES CCT as what 99% of movies are graded on and see the flexibility you’ll have if you work on those color spaces when you’re grading. Hope this helps.

@he.smile_ Год назад

Your Timeline Color Space should be set to ARRI LogC3 since you are working before the LUT (not Rec709 Gamma 2.4) Because right now when you change a node’s gamma to Linear for example, Resolve is doing : Gamma2.4 -> Linear -> Gamma2.4 instead of LogC3 -> Linear -> LogC3 Or when using the HDR palette, Resolve will assume by default that your footage is in Rec709

@matthewfoote12 Год назад

Good point

@kasmedify Год назад

What a comment!

@DREZZYFILMS Год назад

1.Gamma correction or technical lut, 2.exposure/contrast, 3.highlight recovery/ 4.white balance, 5.saturation, 6.HSL/qualify 7.Look/FPE, 8.Global Adjustment. (Can add grain or noise reduction if needed). Always start with LIGHT - COLOR - LOOK. This is the best basic structure I use in FCPX, no need to complicate it. I can modify it depending on what I’m going for.. I have a few more specifically for DVR which a lot of RU-vidrs don’t talk about. It’s a secret sauce. It’s easy and effective to use on every project.

@ekphotography Год назад

Crazy Structure, although probably correct, it seems overwhelming.

@AnemosFPV Год назад

Seems like a waste of time. Wasn’t even a heavy color grade

@ekphotography Год назад

@@AnemosFPV Total waste of time.... Agreed and total over kill. I can do better than that with 3-4 nodes

@AnemosFPV Год назад

@@ekphotography if your Davinci looks like that you can probably charge much more 😂

@ekphotography Год назад

@@AnemosFPV Kind of like a Giant Matte Box...

@AnemosFPV Год назад

@@ekphotography I can’t shit on Kay, he makes great work and provides a lot of value! He is a good kid

@AzharNazzar1 Год назад

Really loves to learn from hour content your should be davinci ambassador 🎉

@allenpayne9182 Год назад

Switch to linear using the gain wheel for balance. Why? you can also use Offset. You are shwoing things, but you do not explain why! - There is a lot of information in this video but the presentation is lacking.

@nbasli662 Год назад

Love your contents

@cloquefff2677 Год назад

U should grade in DWG not in Rec709.Grading in Rec709 will limit the dynamic range of whole picture.

@theARTveli Год назад

If you work up to the LUT, then you are working in the log space of the material you are processing. If it is Log-C3, it is Log-C3 wide space. DWG is just one of the wide spaces that exists, like ACES and others, it has nothing to do with ODT (Output Device Transfor) which is LUT or CST.

@cloquefff2677 Год назад

@@theARTveli You didn't understand what I said, the order is input camera > DWG > Rec709 gamma 2.4. Grade in DWG then output it to Rec709.

@alexrichard6510 Год назад

Kay ❤

@GrecoFPV Год назад

You should never start with the lut…

@rorycowieson5924 Год назад

You clearly didn’t watch the video.

@giordanobruno7943 Год назад

Why not grade in davinci wide gamut intermediate??

@ZEUS Год назад

Because he doesn’t know how to grade.

@mychanneltoletyouknow Год назад

pen and paper? bro, ya gotta slow down. appreciate ur time... but are we selling luts here or trying to share knowledge? moving too fast for the latter. 🫣