You're right! I will do that

@@julianbrezon Thanks for responding. Although I want to apologize cause my "you need to..." comment may have come across as a demanding way-of-being. But I actually was quite excited when I came across this video! It is an amazing video, dude! Which is why I subbed to this channel. In fact, if you have any new ideas, you may want to consider doing the videos of that idea.

Thank you my friend

If you write out a rhythm and then put chords over the notes, yes

@@julianbrezonthank you. could you give me more detail? I don't understand very well.

I would probably go with a different model because of the key issues I mentioned in the video. This is a copy of the Roland Aero phone

Thanks Ray!

I'm playing some now. I really like the Eb- & FMaj!

Thanks man!!

$649 USD on the only retailer I've found

@@julianbrezon similar price point to roland ae-go then

😳

😂

That is less of an issue with headphones or when plugged in but they are pretty loud

@@julianbrezon Oh I could see that with headphones being better. Without them it reminds me of walking through a newsroom with all the reporters typing away .

Agreed. I like to use it with softsynths

I agree with you - but as a windsynth player, sounding like a “real instrument” is not all that interesting to me. I’m not sure I think “sounding like a real instrument” is the right way to judge a windsynth. Most keyboard-based synths sound nothing like a piano - and that’s fine, because they’re a synth, not a piano! 😁

@@bodhibeats8257 my noire piano i doubted seriously till I was able to match several recorded CFX grands sounding 99% similar to those with the editing options they give you. I matched it 100% to Ryuichi Sakamotos CFX grand, literally every small sound, detail, even noise floor is identical I've never been more impressed by a vst. The only things that's slightly different is the sound of the damper obviously as they all sound a little different, but seriously if I played the recording perfectly, and you do an Å B comparison, you COULD NOT tell the difference. The point of sounding like the real instrument is how beautiful it sounds and the art of music and fine sound it produces. I can't find an instrument enjoyable if it doesn't sound like the real thing, especially if you need to record. VSTs specifically from performance samples, are extremely close to a natural sounding Orchestra and it's insane. If you add your own reverb it can sound 1 to 1, the hardest thing to replicate are solo instruments, but the Guo Cello is a fantastic example of how good articulations can be.

@@JohnnyADi Agreed all around. If you want to reproduce acoustic sounds with your windsynth, have at it! A lot of joy to be hard there, and of course it can be done well. I like the SWAM physically modeled instruments - but there are good sampled-based ones as well. I was simply saying that *for me personally*, unnatural and novel sounds are more interesting. And, I was saying that synthesized sounds are themselves worthwhile - an instrument need not sound like a “real” instrument in order to be good or useful. I think a filtered saw wave is about the most beautiful sound on the planet - and there’s nothing real about it. 🤷‍♂️

@@JohnnyADi BTW, I also use Noire as my primary piano. It’s great. But it’s not a keyboard-based synth as I referred to. It’s a sampled piano library that can be used with a MIDI controller. If you buy a hardware synthesizer, most will not be capable of sounding anything like a real piano. And that is fine - the point of them is not to sound like a piano. I’m saying the same thing is true here - the point of windsynth is *not* to sound like a saxophone or flute. They’re synthesizers, that’s why they sound like synthesizers. I think it would be more fair to compare a windsynth against other sytnths, instead of acoustic instruments. (This particular one doesn’t seem to hold up very well against other synths, either. 😁)

That's my biggest issue with this style of sampler.

@@julianbrezon It's been Akai's biggest problem. The EWI 5000S COULD have been a great device.....except it has a fixed number of samples you can use. I think the best EWI you can get is an Aerophone 20 or 30. It has an actual synth engine and can play great samples. I use one all the time to cover synth, string or brass patches in the band I play in.

@@ericdano do you have any issues with the C-Eb pinky lack of rollers?

@@julianbrezon Nope

💯 Give me just about any simple digital VA synth over lousy acoustic sample-based synthesis.

Try making a new blank file and following the steps again. It sounds like you may have had something in voice 3 by mistake

@@julianbrezon I ended up getting it to work in the score and found out the issue was mainly happening in the drum part. I just deleted it and tried again which fixed it. Thanks again!

The 2035 has a flatter low end and more of a presence boost around 12khz. Probably sounds better. I do have a 3035 I could test out

Which step are you having trouble with? This should work on version 3 or 4

@@julianbrezon Nevermind, I fix it, the reason why it was not working it was because I didn't enable the 3 voice

Thanks bro!

Thank you! Start with easy music and just try to do a little more every day!

Thanks for reminding me to make a new version of this for ms4

Thank you!

Thanks for your feedback. I'll try to keep that a little lower

Enjoy

😂 it's so hard to follow my own advice

Thank you Stepan!

There is a chord identifier plug in I haven't tried personally musescore.org/en/project/chord-identifier-pop-jazz

Haha, hopefully there are some 45-60 minute days in that 6 month period, maybe on the weekends, but, yes anything is better than zero!

Thanks for watching and commenting

That was actually just google calendar, my example of a "busy day", but I do like to use Toggl Track as a practice log.

Thanks dude I'm trying haha