This is the official RU-vid Channel of General Guyble! You find lots of tutorials and other educational content all around Hard Dance Music Production.
I tested Horizen and played a bit around. It did not convinced me soundwise. I had problems with the effects too, somehow if adding chorus the sounds became louder and distorted. For the price it is nothing for me but other might look different. I recommend to us the trial and make your own mind.
great video, thank you. I wonder is there anyone using both, like say starting a project in ableton just to get ideas and be creative and then moving to logic? Or would this just create more work?
I agree! I might even believe that finishing “imperfect” tracks on a consistant level and really take it track by track will eventually bring you closer to “perfection” whatever that might be. Spending 3 months on a track to make it sound perfect and throwing it away in the end stops you from getting any real progress, imo. Great vid👍🏻.
Lol, this guy thinks DAWs from 2004 suck, try Cubase 3 with the the dongle thing you had to stick into the printer port to make it run. This was back when people were saying there would never be a DAW or a CPU powerful enough to strip a vocal sample away from other instruments in a track *ahem*
I have two methods. (I use FL Studio) Both involve the typical separation of the attack and the tail. For the first method, I put the tail in Edison and set a loop so it plays continuously. Then I drop it onto the step sequencer. After that, I set the amp envelope on both the kick and the tail so they don't interfere with each other. Then, I just play the tail like an offbeat bass. That's the first method. The first method can sometimes produce a cartoony tone, so sometimes I'll use my second method. For the second method, I again set the amp envelopes the attack and tail don't interfere. For the tail, I make a few copies for each note I will use in the track. I'll set each copy to monophonic sampling mode. This can help keep the original tone as I pitch the tail. Using a guitar tuner vst for guidance, I pitch each copy to the desired note. That's pretty much it.
Great video pal, so To use this I just drag a kick in, if I want to change note of kick from F to D would I just change the route ? then how would I get that sample from Within sampler onto daw Thanks
still got high cpu Spikes on a mac ultra m1 in logic. interestingly, when using P3 hosted in NI Komplete as "vst" it's quite low... another point: au hosting service in activity monitor is exploding to more than 100% when opening P3. Playing at 64 buffer size (sure on 128 and 256 it's going down in CPU load)
I have a drm1 but it's kind of contained on it's own. I found this to achieve those deep and sustained sounds as well as a million things more for percs and bleep blops. To me this is the most complete drum vst. If I compare it with drumcomputer from sugar bytes this one is a ferrari bulldozer while the other is a plasticky toy.
If only they made logic for PC. The problem is you can get a pc for around 1500 for what you can get a 6,000 mac for. I ended up leaving the Mac universe because I needed a reliable work station for 3d, video, and music production + streaming and didn’t want to spend 6 grand for an i9 and 64 gig of ram. I do miss logic but I don’t miss slow computer speeds !
