Cliff brand jacks are one, and there are other versions as well. There are also plastic insulators that you can buy to use on metal jacks. I get my jacks from Antique Electronics Supply. Tube Depot has them as well.
I did not make that schematic, and it is incorrect in that orientation, so good catch. This is why I warn several times in my videos to NOT just grab any schematic on the web. If you do get one from the web, be sure to do some proofing, and checking of other schematics to ensure things are good.
Excellent videos mate! You explain very well, very informative yet simple and intuitive. Love this series and currently binging its episodes. Thank you!
wow no this was not boring .its a treasure trove of knowledge that i highly appreciate i subscribed and support ya .i'm in the middle of a g62 build thanks so much for sharing your knowledge
The Dale Vishay resistors can be found at Digikey, or at Tube Depot. I get them from Tube Depot. They are rated for 1 watt below a certain temperature, and are advertised as 1/2 watt though. 1/2 watt is more than enough for 90% of the amp though. The only reason to go up in wattage for most parts of the amp is to lower the noise floor. In the case of metal film, the noise floor is considerably lower than carbon film, and extremely low compared to carbon composition.
I am not a fan of CC resistors and therfore do not use them. As I mention in a few video's, there are those that swear on their grandmother's grave that they are god's gift to tone. I have no argument to that belief, and encourage builders to just use what they want to use. Beauty is in the eye of the beholder.
The grid leak resistor also acts to provide negative voltage to grid bias the tube. The grid biasing on this circuit is indeed “creative”. I’d like to what the grid bias voltages are.
This particular amp is cathode biased, so the grid leak is not exactly part of the bias circuit per-se, such as a fixed bias amp would be. The grid leak is a required part of any tube circuit regardless of function. It serves as the reference for the grid to ground, and acts more or less as a volume control and as a load to the preceeding stage. A voltage is formed around this resistor, and one could call it bias, as it does serve this function to a degree. In the case of a fixed bias stage, the grid leak really only provides a reference point, controls current flow and keeps the bias under control. It cannot be too large, or the bias will " run away " within the tube, and it cannot be too small, or the tube will shut off and no longer conduct. In a cathode biased stage, the difference between ground for the cathode and the grid is what creates the bias. This is in relation to the plate voltage of course. Change the plate voltage, and the bias will shift along with the operating point of the tube. It si all about creating a " window ". There is an area, where this window works best, given the plate voltage you are working with.
Keep in mind the reasoning. It is a hard sell to place a radial, where an axial works best, and to a buyer that wants contemporary parts in their boutique build. I leave you with the knowing that there is a better option, not that you MUST use F&T. I'm not selling anything, so you can use what you please. You take the keys and do as you will.
Thank you!! Far from the best data source here, but it gets your feet wet enough to feel like you can do this. Getting in there and doing it is the important part. The math and other technical stuff comes later, when you are literally trying to split a hair.
A guitar amplifier is technically a portable device which would be subject to vibration in transport. So the hook up wire used is not just dependent based on current, it is also based on mechanical rigidity, which for long runs over 6 inches should be min 18 AWG and short runs min 20 AWG, with the obvious increases in size for large ampacity, with all harnesses dressed so they cannot vibrate relative to the case.
There are a LOT of weird rules in the code books. I am not sure the application of that particular code would apply to guitar amps however. It is conceivable, based on what you say, that every Fender, Hiwatt, VOX, and Marshall ( among MANY other brands ) from the beginning of time, to even recently, are illegal to operate and resale. Most all used sub 20awg wire for many parts of the amp. Just based on the context of that last sentance, wire smaller than 20awg could not be sold. Practical application of a code is one thing, but applying it to the letter is another. Thank you for providing a commentary though. I would like to see the references to this code you speak of. Perhaps I am misunderstanding what you meant? I'm open to discussion about it. I just don't see how anything could adhere to this code however. It is easy to imagine an electrical device that has minimal current demand of a wire that is 22awg or smaller, has more than 6" of wire length, and the wire is routed in the chassis in such a way it may as well be part of it.
Suggestion: do a rundown of how much the different parts affect the sound and performance of the amp. You have alluded to this in several of your videos but it would be amazing to have it in one video. As a noob who don’t want to spend unnecessary cash when learning but still want to make great sounding amps it would be great. Like, should I allocate more cash on transformers and skimp on tubes? Or is it worth it to spend more on a great speaker and buy generic caps? You get the idea. Thanks for keeping up with the videos!
KF was definitely a character and a half. I've built a couple express amps and am blown away every time I plug in. It's actually kind of sad that he never made it big. Now people spend huge money on them...
Great video. Wish I watched something like this when I first started building. Psionic has some good grounding vids. However, they're harder to grasp as a novice. I recently built a trainwreck, the most unstable amp lol.. I grounded the input with the cathodes of v1 on a lug , then I grounded v2 on a lug. Then the PI and presence. Then power amp, then the chord. If memory serves... Now I'm reading about the larry ground scheme. Different but highly recommend
There's a pdf that outlines how to build a trainwreck express. On amp garage. It has some very good grounding recommendations. Worth while reading for sure
Is this why some amp manufacturers use plastic-tipped input jacks, rather than metal? (instead of the normal suggestion that they opt for 11 cent parts over 13 cent parts to save $)
The bean counters are always a factor when it comes to corporate amp companies. This is why I don’t consider Morgan, Two-Rock Etc. to be boutique. The plastic “ Cliff “ and similar styles are not exactly cheap, and neither are Neutrik and Switchcraft. When it comes to grounding, many builders simply just don’t apply best practices, or schemes. I am no exception, however where I feel I differ is that I use a scheme that is practical, and does not hinder performance, cost is not my concern though. $1 more for a part is meaningless for me. I’m not building a thousand amps though, so I don’t have to worry about the overhead. The big guys do have to consider what that extra cost will be though. In an amp with 100+ parts every penny counts. If I say my amp is $3k, it is because it costs $3k after parts and my time. When Two-Rock sells a $4k amp, they built it for 1/3rd that cost. The rest is markup and operating costs to keep Two-Rock in your minds eye. As an example.
hello brother, nice videos, im a programmer and i have very limited knowledge in electronics, i love the mesa boogie mark 2c+ and i wanna make it in VST format cuz theres no other VST thats good enough to emulate it, can we get in touch if you are interested? mixing coding and electronics maybe collab on something cool
Σας ευχαριστώ για τον απλό και κατανοητό λόγο σας, και που εξηγείτε πως λειτουργεί κάθε εξάρτημα σε έναν ενισχυτή. Επιτέλους λίγο φώς. Λυπάμαι που μου πήρε 2 χρόνια για να το βρω. Έχω μία ερώτηση να σας κάνω, που ίσως είναι περίεργη και πιθανός εκτώς θέματος : Θα μπορούσε ένας HiFi ενισχυτής (σαν τον Mullard 5-10 σε έκδοση elektor's 10W tube amp) να χρησιμοποιηθεί ει σαν final stage μετά την προενίσχυση και επεξεργασία του σήματος από τις 12AX7? Ευχαριστώ και συγνώμη για τα ελληνικά μου.
Δεν υπάρχει τίποτα ιδιαίτερο στον ενισχυτή Mullard 5-10 που να χωρίζει από οποιονδήποτε άλλο ενισχυτή. Έτσι, θα μπορούσατε σίγουρα να το χρησιμοποιήσετε με οποιονδήποτε επιθυμητό προενισχυτή. Το τμήμα του ενισχυτή ισχύος χρησιμοποιεί απλά ανεξάρτητα καλύμματα παράκαμψης καθόδου και αντιστάσεις πόλωσης. Θα μπορούσατε να το κάνετε αυτό και με άλλες κατασκευές μεροληψίας καθόδου. Το Mullard 5-10 είναι μια ανερχόμενη τοπολογία ενισχυτή κιθάρας νομίζω. Υπάρχουν πολλά νήματα που μιλούν για αυτό ως σημείο άλματος ενισχυτή κιθάρας. Αυτό μεταφράστηκε με το Google Translate, οπότε ελπίζω να έχει νόημα?
Most folks these days prefer the Vishay 562R series ceramics over those massive Sozo's. Considering this video is 2 years old, I'm sure you've figured that out by now. Thanks for all these videos!
Great video ! Thanks ! I've done it on my marshall 1974 18w kit by Tube amp doctor and it fixed all the fizz/buzz sound I was getting by turning all the way up the amp ! The only différence I can tell is that my standy switch seems to "pop" when I turn it off... Is that ok ? I've only put the 100k resistor
It can pop, it can take out the cap, it can take out the Rectifier tube. I woudl hardwaire the standby switch to be on, or stop using it. The standby switch is not needed on amps witha rectifier tube.
Awesome. The rebuild is head and shoulders above the original. Much more fat/thick in general, but I also notice that there's a lot more dynamic range. The original seems to sound the same no matter how it's played (harsh and thin), but it seems the rebuild can accentuate differences by using a different guitar or even just varying pick attack. Very cool. Less noise is icing on the cake.
Thank you for some of the tips that you have presented as I am a novice and like the idea that you explain what and how to achieve certain results. Thank you.
This is what most guit amp building/repairing channels hardly ever cover. Another seldom mentioned is method of determining outer foil/negative of capacitors.
People may look at Pro use. You find a lot of "boo-teak" amps up there on that stage or in that studio? The people who buy boutique amps are mostly masturbators. The builders are excellent people.
The masturbators have money though... Most builders I believe are genuine, but there are a few that irk me a little. I am not really worried about selling amps, i just want to make great amps at a reasonable price.
Good stuff! This made for a very pleasant train ride home from work today. On your Zener amp - is that a copper buss wire on the output jacks? Does that get funky green over time?
From a future amp builder, your work looks great. Notable ommissions from your analysis: Bartel amps and Schroeder amps. Bartel's pegboard circuits are masterpieces.
Hello everyone!!! I hope you find some value in this episode. This one is full of thoughts and opinions, wrong or right. I look forward to your thoughts, although I get the feeling some may not be so nice... Just keep it PG.