interpretazione favolosa che permette di godere ogni nota, ogni passaggio in un'estensione di suoni paradisiaca ; absolutely the best performance I ever hear; thank you very much !🥰
Aside from his expressive power, it is amazing how well Sultanov grasped, understood and conveyed the structural form of this very complex piece. Just amazing.
I love this performance, but always regret the woefully inadequate BELLS! They really need to be much lower in pitch, obviously. I recall an opera production in which I was involved (orchestra) where some specially tuned railroad ties, long steel ones, were used as bells. I don’t recall the opera, but it seemed to do the trick effectively. Just a thought.
Hunding singt irgendwie-irgendwo🤔. Die ganze Zeit finde ich Noten, die weder rhythmisch noch im Vergleich zum Originalmaterial\Notentext von Wagner nicht genau ausgeführt sind. Sehr seltsam...
Belatedly, I found this video in 2024, 10 years after this video was originally uploaded. Thank you so much. What a gentle and sweet sounds created in the 6th movement.
This piece is absolutely loaded with nostalgia so typical of Ralph Vaughan Williams ability to somehow create these gems of pure poignant brilliance. . Both this and the orchestrated version have equal impact...it ear worms you for days after hearing.
Dvorak's symphonies are always full of invention and firmly built. Apart from the very famous 9th, we sometimas car hear the 8th or the 7th. Here, we can hear that the symphonies with a lower number ar fabulous too. 💗💗💗💗💗
17:58 f*** !!! .............. the attack possibilities of this guy are tremendous ... and always this lyrical agressivity ... full of love ... this is heart-wrenching. Artillery of beauty .... This is one the highest moment of music I get.
0:00 wow ..... ohh ... I thought this was the very private garden of Horowitz ......... and suddenly this .... I knew that Sultanov was a genious, but not so .... Horowitz cold desperate passion. And this is hot. Passion always.
A recording of a BBC Proms concert. Mackerras was a specialist in Czech music, and you can hear how he has managed each section of the orchestra so that what they are doing is clearly stated. His tempi are not too fast or too slow, his ability to give depth to the bass provides a solid platform for the heavenly melody in the Largo, where the Cor Anglais has an exquisite tone. No surprise the symphony was a sensational hit when first performed at Carnegie Hall in 1893.
I can't play this piece but know it well. There are some really great and some really absurd moments from this crappy Horowitz score. The moment I don't understand at all is the ending where Rachmaninov didn't actually write B-flat octaves and Sultanov's playing is shockingly sloppy. If he was trying to simulate how Horowitz had consistently butchered this piece, I'd say he's hit the bullseye. I can't stand by perfs like this when pianists favor histrionics to just effectively reading the score. Pounding the shit out of a piano is something anyone can do. This doest not maketh a great pianist.
Este concierto, ejecutado bajo la dirección del autor con el dedicatario en el violín solista, es una obra maestra que exige a todos, solistas, músicos de la orquesta y director, virtuosismo y nervios bien templados. HERMOSO
