L'élégance sans tapage de la musiquede Rameau .. , tout en subtilité. Cette musique sied si bien à nos paysages francais multiples mais gardant tous un lien : la mesure...
Thank you for posting. I can't believe I couldn't find no. 8 in Spotify. I really like this version with recorder. It sounds more natural. I also enjoy the grand brilliant continuo section. They highlights the melody without overwhelming it.
Thank you for sharing this! I am now translating a presentation on psychology that mentions Atalanata Fugientis, and this music gives another dimension to the deep and comprehensive material of the book.
De chambonniere, il n’y a que les clavciniste français qui conaissent 😉 et encore pas les plus jeunes. Je n’en aurais jamais entendu parlé si la prof quo m’a préparé au concours du conservatoire ne m’en avait pas parlé (madame taillard, grande organiste des années 60) Pourtant de charbonnière est littéralement le père et le précurseur de tout le baroque français qui inspirera des vivaldi (vivaldi est très fan de lully) et qui donnera des bach des haendel des purcell ect…. D’ailleurs tout les noms que je viens de cité (bach haendel ect…) ont tous des suites françaises et ces suites françaises sont directement inspiré du travail de de charbonnière et de ses descendants (les musiciens de la cours de louis XIV globalement)
Extraordinary. Excellently performed. Rigel learned the craft of music of different classicisms (!) He studied in Stuttgart with Niccolò Jommelli and François-Xavier Richter in Mannheim. This Symphony - a number of typical elements of the German "Sturm und Drang", minor keys, unisson passages for the whole orchestra and chromatic writing. Late-18th Century genre, true to French fashion in that they are all couched in the three-movement architecture derived from the Italian Overture, without the typical Viennese Menuetto. But he composed with great skill: French oratorios; He also wrote comic operas in the German singspiel type; He was one of the first composers to create works for piano accompanied by an orchestra; In some of them he introduced effects in the piano part that imitated the sound of the orchestra, including: repetitive chords in both hands at the beginning and end of the movement.
I wouldn't normally do this, however , I just wanted to say to those who have already commented, your comments are wonderful and there's nothing more for me to say. it's nice to see people who appreciate these musicians as much as I do.
Zelenka's music is strongly reminiscent of Mozarts masses to such a degree that it would be very surprising if Mozart didn't know him well. That being the case Mozart was far less original in his masses than we thought.
In1989, a friend of mine, who is a guitarist, lent me a cassette tape of several guitar performances but he forgot to hand me the booklet. One of the songs on the tape was far different than the rest. It was composed in a genuine style and was performed by virtuosity. Every time I rewound the song, I could feel myself in front of Mediterranean Sea in a hot summer afternoon, at a point between well awaken to hear the every single note of the song and a lazy nap, hypnotized by the hot Mediterranean sun sparkles reflected by the sea. Several other times that I rewound the song I found myself feeling urged to put aside my oud and re-hold my guitar. It was well before internet days and I had extremely small chance to find out who was the composer and the player. Years rushed and one day I met my friend when he was back in Turkey after his Spain “adventure”. I asked him about the artist but he did not remember the name. I was alone again with the song, sparkles, urging myself for guitar for at least a decade. In 2001, I moved to a small town Gümüşlük. From the windows of the house, I could see a small bay named Koyunbaba which opens to Aegean Sea. On a reef, there was a grave of a Dervish named Koyunbaba after whom the bay was named or just the reverse. The one-grave-cemetery was a public place to visit, to lit a candle and pray. It was then, that internet era began already. I googled the dervish and the cemetery. There were three Koyunbaba items. First two were dervishes with the same name, Koyunbaba, in two distant towns. The third one was under a photo showing a young guitarist. It linked to a video in RU-vid. The play button gave me back my sparkles of twelve years! The composer was Carlo Domeniconi. I re-googled for his biography. He wrote the suite when he lived in Gümüşlük. I pedaled rushly to the town and asked about Domeniconi to the first man I met in the town. He was a fisherman. He replied “Of course I know him. He is our Carlo.” www.google.com/maps/@37.0809234,27.2499737,53m/data=!3m1!1e3?entry=ttu
Gerard Lesne. De Counter Tenor die sinds 1992 mijn hart raakte en nog steeds raakt. Nog steeds luister ik deze mooie tijdloze muziek. Een stuk pure rust en genot voor de ziel. Ook de beelden van deze landschappen 🙏Edwin
