Très belle interprétation plus lente que beaucoup d'autres versions..Le son est puissant et le toucher de cordes est impeccable....Une des plus belles interprétations que j'ai entendues....
I really like your posture and the well-achieved sound as well as the cleanliness of your executions, I really enjoy your videos a lot. Thank you for contributing to the world of guitar. Alfonso Corzas México
@@olemartinhuser-olsen9908 Much success and we look forward to hearing it. Forgive my boldness, what is your study method to achieve such a good performance in your pieces?
@@alfonsocorzas7021 Thank you for your question, although that is not an easy question to answer, neither in few nor many words. But one of the most important things is to put the music first. It is also important to develop your technique according to your own physique and anatomy. There are many great methods out there, from Sor and Aguado to Pujol and Iznaola and Käppel, but one should not limit one self to just one. Many approaches are necessary, and to explore your possibilities and limitations is a life long task.
Where would one find the music for this piece of music in open guitar? Generally, when I hear this piece, it’s played with a capo however I note you aren’t using one, hence that is the nature of my inquiry . Regards Blair
Dear Blair, if you play the piece without a capo the music will sound a minor third lower. One could of course play with a capo, which I do occasionally, but I do find the sound of the "open" guitar strings more pleasing and natural sounding. I guess this piece is available many places online. I use Mudarras intabulation from a facsimile of the first edition. Wish you all the luck!
One of my favorite pieces, and a great rendition of it. So many people just blow through it quickly, but it deserves a slower, more contemplative speed like this. I have only been playing classical guitar for about 6 months, but this is one of my main goals (along with Sor 35-22)
Thank you very much for your kind comment. It is a very enigmatic and beautiful piece. Indeed much of the vihuela repertoire from the 16th century is great.
Hello Olsen, I like yours interpretations, has a solid technique and a fine and clear presentation of the musical contend of the piece. Congratulations! Lúcio Csordas
