Brandon Peltz Talks Tech About Black Magic Design, and So Many Other Companies, Brands, Products and Topics. As well as shows the secret sauce of how his gigs, events and projects are executed.
Not yet! I’ve been very happy with this setup and actually have multiple sets now. Some packed together with the mixer and some separated out for easier transportation/lifting.
What I especially liked on a concert in Europe were the colored lights and flashes *behind* the LED screen. Made it more transparent & it was great to see those two light sources blend into each other so well.
Sir, behind the dance stage, the e-motions, videos, are played. Who is that instrument seen in many events, what does it say? Can it be placed on the wall of the room? Please tell me what motion videos have to be connected with and if you connect them, the videos can be seen through that display.
Real Talk! What’s the brass tax? How much was all of that to build and run? (Including what the monthly rent is and electricity cost for the facility?) Just trying to figure out how much money I need to build a smaller wall but similar layout?
Awesome information, so happy you find your channel. If I’m looking for a large multi cam setup 8+ channels is there a better option then getting 2 or 3 deck links in 1 enclosure. This is for a non portable studio setup.
For 8 or more cameras. Most people use a sub switch like an Atem to then send one or two feeds from the sub switch into their computer running something like vmix where they add their overlays and playback of videos. This way computer isn’t handling all those different live feeds. If you want a computer system, use could use something like birddog NDI converters so convert signals to NDI to then get it into a computer but make sure your switch and system is fast enough to handle all these feeds simultaneously.
@@liveproductionmastery really appreciate the response. I’m running 2 lower end PTZ through NDI into OBS and just not happy with the video quality, although I love all the scene flexibility with OBS. Thinking about upgrading to 2 cannon n500s but realized it might be cheaper or at least higher quality to just get alot of non ptz cameras, likely sony zv-e10 to switch through. I intend to livestream at the highest level I can but also use my setup to record non live long form content so would love to record that at 4k. As a a relative newbie it’s hard to think through the best setup as there are so many variables. Great info on your channel looking forward to watching and learning more.
Do you know what LED Bars they using in the main hang? I think a saw those at the current P!nk show and i was blown away on how bright they could get. The bars beeing able to to a wash on the most of the pixels and doing a blind effect on some of the pixels at the same time was crazy. Thos sparkeling effects do look insane.
Can anyone explain how the special effects work? Specifically, the confetti. Is it using timecode with the lighting and wristbands or is it separate? Also how does the pyro work and where does it/the confetti come from in relation to the stage? Thanks!
I love this pack and have been using and learning. One question - I use the SS transitions for all my animated SS transitions but there are looks under SS Looks that aren’t available under SS Transitions. Am I missing a way to include those in my options? Thanks so much.
Live Sound Engineer here thank you for the in-depth walk through on how to set up for a conference For the ones that don’t know I’d like to see you do another video patching Dante (Mic rack to the console)
No reason, they are interchangeable. Was just the choice in the moment. Any of the EQ parameters can move anywhere on the spectrum. It is better to keep them in order though just to not be confused later if you decide to adjust one.
I'm gonna be honest, it kinda feels like this entire video was just "wow, you can remove backgrounds from images" wholly unimpressed. also it's not just mac, photoshop can do the same thing, there are websites to remove backgrounds, basically any image editing software will likely be able to do it
Always staggered when I work in the States as to how backward-looking their sets are. Ghastly drape kits for days!! Like something out of the 1950s. And those awful-looking light totems. The tech set up looks great though.
The new argument as to whether their band plays live or not. My ex was in a permanent based production of Cirque du Soleil. When you have a live show like that and presumably Taylor's, and in part due to all the moving parts of the stage, you can't afford not to be live. You have to go with the action, especially if there was a technical glitch which happens and a lift stops working. There has to be an emergency procedure for all these things. His show and the O show has several lifts and they break down often during the show. I cant see how Taylor's show isn't all live with the exception of some electronic recorded filler.
