Porgorelich tiene un aire y un fraseo muy distinto al resto de pianistas que toca Rachmaninoff. El sonido que logra, la sutileza con que toca en algunas notas y pasajes no las he escuchado en otras interpretacines, es simplemente fantástico!!
Pogorelich is one of the greats, but if I remember correctly he has a physical illness which he's had for a while now that makes him unable to play at fast speeds anymore. But his earlier recordings are fanatstic
Fantastic interpretation. Also I don't know if anyone else noticed how big his hands are. They are so big that he looks like he needs a somewhat larger keyboard. Rachmaninoff had such large hands and that is the reason why his works are very difficult to be played by those with smaller hands.
Rachmaninoff played his compositions as if he were improvising and composing them in performance, this is how his work should be played. Ivo is definitely performing in the true spirt of Rachmaninoff, that expressive fluidity and powerful intensity. No two performances should ever be the same.
Eh si, geniale perché è Pogorelich....se foste dei pianisti o meglio ancora dei validi insegnanti di pianoforte e aveste un allievo che suona così, e per quarant' anni si ostinasse a suonare in modo tutto scombiccherato, vedreste cosa gli direste... ( Attacchi indecisi e sporchi della melodia declamata, articolazione confusa e armonie distrutte dall'uso del pedale indiscriminato, andamento da ubriachi circa il tactus, etc.etc....) Il popolo dei Divi, come Pogorelich, quelli che si pavoneggiavano perché avevano un bel visino, con i guanti bianchi a suonare con Karajan giovanissimo, adesso assomigliante fisicamente a Putin, invece, capaci persino di dire cose poco gentili a chi ha creato loro una carriera con le polemiche, ringrazia il popolo degli ascoltatori, che quando ascoltano hanno le orecchie al vento...
It's the kind of playing and acoustic that works ONLY if you already know the music. The sound levels between the hands are not regulated well. And it's obviously overpedaled. If you're a first time listener you won't hear the piece properly and probably won't get it. Lazar Berman sort of introduced this music in the late 1950's and his is still the standard as far as I can see.
После такого прочтения этого "Момента"-другие интерпритации меркнут как-то. Такое исполнение -открытая боль... Оттого трудно слушать. Нужны силы сопереживать.
