HMM Mr. Bass I would've taken the last two notes down an octave. I love doing that but of course you aren't at fault the composer was. Mozart's student should've known better since GOD can of course make the ground shake, so your voice should've at that time.
My wife's many year church choir director - a truly gifted man kind've at Mozart's level - used to say: "Beethoven sometimes reaches to the heavens. Mozart lives there." This choir director had music in his DNA. I saw him direct a church choir and a bell-choir that accompanied it but one person had not showed up so he played that person's bells too WHILE he directed the entire choir. So he was directing the musicians AND the bell choir AND the many-person singing choir AND played one set of bells for good measure. Spectators were shaking their head in amazement as to what was a miracle. I imagined what it must have been like to witness Mozart.
So this is the Philip Hayes (1737-1797) Original score of this moving rendition of the Prophecy of King Davids Psalms . He deserves Honour for this classic. Better Known from Don Mcleans Albulm.
This piece is not particularly difficult for singers. It is a masterpiece, but it is absolutely feasible to sing it in a constellation of four. To ensure that the note durations are sung as Mozart intended, it would have had to be sung from memory. As a singer who has been singing classical songs for many years, I can say quite clearly that this would not have been a great surprise. It would have been much better.
Lacrimosa dies illa Qua resurget ex favilla Judicandus homo reus Lacrimosa dies illa Qua resurget ex favilla Judicandus homo reus Huic ergo parce Deus Pie Jesu, Jesu Domine Dona eis requiem Dona eis requiem Amen
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@Lich7329ce n‘est pas anglais ni francai( je n‘ai pa la cedille, excusez svp). Aussi tous les Textes des messes sont ecrits en Latin.. C‘etait l‘ancienne facon utilisee depuis .longtemps.Si vous avez des complaints, ici vous n‘avez pas raison.