Channel Studio of Igor Spirkin "U-tape records" from St. Petersburg, Russia. Shows all the current projects- "The story of my modular" "Stember Fats", "2Fingers", "IS", "Ремонт Боуви", "Edgar Brean", "Geenimuuntelun", "Соляга", "Мама, это я"
This thing has the best 808/909 drum kits I've heard on a Roland rompler, and it has two TB-303 patches and five SH-101 patches, and a ton of other good lead/bass patches. Plus that squeaky Cypress Hill beat LOL.2:16
наконец-то демо, шоу показывают чистую реверберацию ......я пытался послушать несколько видео, но их реверберация была очень низкой........я особенно заинтересован в spx50, потому что он намного дешевле, чем spx90 и ему подобные.......спасибо, брат
finally a demo the shows clear the reverb (You already put the reverbs too high).........i tried to hear several videos but their reverbs was very low........im specially interested in the spx50 because is a lot cheaper than spx90 and alikes.......thanx broter
this beat 😂 reminds me of Heathcliff cartoon..But seriously I know it's the internal demo. I've been looking at the sounds of R8. Such a classic machine used by a lot of great tracks back in the day.
Hi, my school was getting rid of one these and gave it to me. I'm having a hard time figuring out how it works, do you know anything on were I can learn how to use it?
I bought the 6 track version in november 1995. One of the best purchases I've ever made. I recorded an entire album with a local band with it. It's not perfect but it's one of the proudest achievements of my life. ❤
I love these things. I'm a huge fan of all the E-Mu Proteus-sized 9" deep 1U modules. Most Roland stuff is 11" deep (and 2U). The JV-880 is 14" deep. But these are like getting a JV-880 that's only 6.5" deep. The only thing that sucks is that they have no patch memory and no way to map program changes to patches. You need to use bank switching commands, and for some reason Roland did the bank switching backwards on these so they're the only synth where you need to change the MSB to go from patch 127 to 128. So the only really convenient way to manage patches in hardware is to leave Part 1 on patch 1-127, leave Part 2 on patch 2-256, and then use the Part 1 channel when you want patches 1-127, use the Part 2 channel when you want patch 2-256, and use the Part 8 channel for drum kits. Then you can label all the patches by linking them to something with Program Changes where you can name the patch/kit. Like if you map drum kit program changes on a TR-8S to your M-VS1 / M-DC1, then you can put the name of the VS1 patch in the name of the kit, so now you can scroll through kits and see the name of the patch. That's basically what I did on my E-Mu XL-1 Turbo. One of the user banks I just changed all the patch names to track with my M-DC1 patch names.
Единственное видео в сети, на котором можно увидеть линейный микшер Roland M-120! Не хотите сделать на него обзор отдельно? The only video on the net which shows Roland M-120 line mixer! Wanna make a review on that particular piece of gear?
I owned one somewhere around the early 1990's and I though (and still think) it was/is a piece of junk that sounds like a cheap Casio keyboard but costs about 5 times as much. The only thing that really surprised me about this synth was that is was the only one I ever owned that send out release velocity info instead of just the normal velocity other synths had. The D-5 itself, nor any other synth I owned made any use of release velocity information, so even this one cool feature ended up being totally worthless in the end. I should just have bought a D-10 instead...
