Can you guys do a video on Con send and receive using two digico consoles that are in an optocore loop? For example, sending a FOH talkback mic to monitors. Or any input/channel to monitors from FOH.
I'm fairly new to mixing monitors, but what is the MD? Is that the music director? Would it also be smart to route the lead singer's talkback mic using this method? And when it gives the warning message about not soloing, just to confirm you WOULDN'T solo the solo bus track or the cue matrix channels correct?
Thanks for your video - I found it rights these days. But: I think, it isn't a good idea to take the reference-signal for Smaart from the matrix behind the master of the desk. Because if you change the EQ of the master or use any dynamics, this will take effect on the matrix also, and thus you change the reference-signal for Smaart. But the reference signal must not be influenced by any EQ or dynamics. Better way is to route the incoming signal of the signal-generator (your USB input port no. 1) directly in the desk back to the USB-port (in your case: USB output port 2) and of course parallel to the fader of the desk.
I get this to work great on my DM7 through the Primary switch but no control over Redundant (when control is connected to Redundant). Is control over Redundant possible?
Hi! Yes it definitely is possible, we covered a part of it in the video below. I'll add it to our topic list. ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-3LfuD98NZik.html
Hi! Unfortunately the SD9 doesn't have an onboard UB MADI. You'll need another way to get the audio in and out of the console, there are several DMI cards available, you could use a Waves MGB or a RME madiface USB for example. We did another video about how to do this by using the DMI waves card. ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-xWK0MAeLJGk.html
When you change from 16,2 to 16,17 on the Control by Midi tab on the console you have to change the value from 2 to 17 on the midi clip in that particular scene on Ableton. Otherwise firing that scene on Ableton will not work. It will still be looking for 16,2
Hey. Ofcourse you can use different DAW software. The difference is that the Yamaha and Nuendo integration is a lot better, then other DAW. You might automate some stuff via Midi, or OSC with other DAW. I think recommandation depends for the most part on which DAW you use the most, and are therefore fastest on. Or what use there is for the DAW.
How can you route outboard gear so it can be routed to usb so it can be an insert inside protools.I know protools inserts have a one to one mapping eg input 1 and out put 1 are used , 2 and 2 etc
Hey. the moment you can patch from protools to the SQ through the USB-B (Tielines)on the SQ, you can use outboard which is connected to the SQ. Be aware that all the female XLR connectors on a SQ console have preamps, and therefor have a preamp gain. Be sure to check settings before tuning a mix. Just be aware of the extra DA/AD conversion and therefor the extra time it takes.
Thanks for the video, I mean all of the videos. Great tips and tricks. Question: Is it possible to do that with ProTools too? Having automatic markers by switching the scenes or having a softkey assigned to send a Midi command ?
Consider the tieline patch really as old school tielines (analog) where you would take a signal and patch it to somewhere else. So making a tieline is sending a signal to another place. For example: you fysically patched your vocal in local 1 of your sq with an xlr. Next you can send that signal to for example your waves card in the desk or to another device connected to your desk that will receive the signal of your mic then. If you connect two sq’s together for example if you have an sq link card, you can tieline patch all of your inputs through to the other desk.
I m running sq7 I tried to follow you on multitruck recording but on SQ drive I failed . It shows errors on USB record load. Please help me with SQ drive.
@@MONOSoundLab thank you very much. At least the problem yes was USB stick. It's something about writing speed of a stick. Not only reading speed. It works now just the way I copied you
The artist i am working with desires a multi track recording of their live performance. Is that what this is? Your video isn't ver clear on the subject. I need the board to copy the multitrack signals and send them to my daw usb. What i do not need is anything that is going to mess with the setup or sound at an existing venue with a dedicated sound engineer and mixer. Its not my qu-32, so this needs to be plug and play, no playback or control on my end, just want to record multiple tracks to remix later. Great video, I learned some new things. Thanks!
Hi anton, this is indeed a video explaining how you can multitrack a live performance. But more importantly, we use that multitrack recording to do a “virtual soundcheck”. You show up at a venue, as a dedicated sound engineer, you always show up first before the band. After tuning your pa system, you can use that live recording to do a “virtual soundcheck”: you route all of your multitracked inputs back into the console and listen/play around/adjust your mix to the new venue. Or, if you’re not satisfied with parts of your mix, you can practise/adjust your mix at home untill you are satisfied. Or, If you’re doing IEM from foh and a musician was not happy with his mix, you can have him standing next to you and adjust his IEM mix to his needs. It is something that our MONO team does almost every show. It can be also real handy if there was a problem (crack/cut/buzz) on a channel during the show to pinpoint where the problem was situated. Recording you LR mix in tge multitrack recording is a usefull hint also, that way you can send show to substitute musician to practise/listen to it or the light or video guy programming lights on it. But beware, always let musicians know that a LR mix recording straight off the desk is not always a good representation of your mix! For example is guitar player is really loud on stage or the snare is acoustically really loud in a small venue, it might be vert silent in your mix or not there at all. And to answer your last question, no this will not messup your sound, the recording is just a tieline patch patching your inputs to another device (your DAW). But be sure you know how to tieline patch it correctly. Hope that answers your questions? Best, mono soundteam!
I gave you a thumbs down. I repeated everything as you told 10 times, but I did not succeed. Until I found out on another video that it was necessary to install the extension console utility.
Hiya. Thank you for your Video. I'm New to SQ6. Quick question. How would record Input on STAGE box and Some vocal on the Local Inputs. And how to patch both for virtual sound check ? thank you
