Oh... I'm feeling my husband is playing the piano.. He loved to arrange old songs like this only voice and piano. Great song and good singer and pianist. 🥰
Could you put Bowie´s vocals on the Bowie tracks on Iggy´s albums that he hasn´t covered, as well as Mick Ronson´s "Growing up and I´m Fine" using AI ??
this relates to the other work by Pousseur with John Whiting and Electric Phoenix, Tales from the bible of hell, doesn't it?. Can you tell us, how they correspond?
It's more of a DJ set than an interview but, yes, I had it taped from the radio about the same time - and it made me go search out Philip Glass and King Curtis among others. The whole show is on my channel if you're interested :)
@@mmmcomfy I am definitely interested! I will take a look now, but will only have 5 minutes as I am just about to go to sleep: It's 01.44am in England, where i am!
If this is what I thinkg it is one of my favourite all-time radio one series different celebrities playthere favorite,music a sort of longer desert island disc with more records as these are my favourite records as played by sad the series ended
I think this definitely is what you think it is. And yes, a kind of longer 'Desert Island Discs'... or a shorter "Artist In Residence'. Don't miss parts 2 - 5.
The battle at the start of the programme was filmed at Burton Dassett in Sept 1988. I am fairly certain this was shown on BBC during 1989 as I taped it from the TV to show some people at work (and I changed jobs in 1990).
I see "filmed in September 1988" on compleatseanbean dot com and the copyright notice at the end of the film says 1989. My information is from the BBC's own searchable programme index which indicates 12 March, 1991 as "first broadcast". That's an odd gap, for sure.
@@jimbosmith912 As a casual viewer it seems to me most programmes share a copyright and first broadcast date, but what do I know? I'm just diplomatically casting doubt on the BBC's own information rather than questioning the OP's memory.
such in interesting part of the history of this album, its very interesting comparing the versions of these songs to the other glyn johns mixes, and to the final version of let it be
Great mash up. Bowie and Danny Whitten could have collaborated if they knew about it, but unfortunately Danny Whitten overdosed to death in 1972, so it was never to be. I wonder what Neil Young would have thought of this, even though he didn't compose "Dirty Dirty".
Bowie certainly seemed to be citing Young as an influence around this (Hunky Dory) period - whether any admiration was mutual, who knows? Thanks for the positive comment.
The guitar tone and shape of the solo sound like Slick's from the '74 live shows - sounds like Sanborn on sax (by all accounts Bowie wasn't present at these sessions) - could be Michael Kamen on keys (he produced). Just guessing.
