I wasn't aware of this option, I thought the midi input was mainly for controlling tempo and similar stuff, thanks a lot for showing this interesting possibility.
It’s true it doesn’t sound that good on the ears. Not the instruments fault. It’s ok we’re allowed to just have some fun. Doesn’t always have to sound “beautiful”. (But yeah this one sounds harsh on the ears. Especially if you have some ear damage like many of us do)
Why aren’t you connecting trhe clocks together? Or using a MIDI clock? What i want to understand is there a way to get the generative aspects of both devices to influence each devices pitch and so forth.
Originally I tried clocking the Lab with the Subharm, but the Lab was always running a half step behind. Here they are both clocked by MIDI. Any out-of-syncness is due to the random nature of the Labyrinth. Last night I updated the Subharm firmware, which addresses this issue. (The Subharm clock out ran a step behind the main clock). An initial test showed the two units syncing tight as ticks. I'll play around with them some more tonight.
(Copied from a previous answer) Originally I tried clocking the Lab with the Subharm, but the Lab was always running a half step behind. Here they are both clocked by MIDI. Any out-of-syncness is due to the random nature of the Labyrinth. Last night I updated the Subharm firmware, which addresses this issue. (The Subharm clock out ran a step behind the main clock). An initial test showed the two units syncing tight as ticks. I'll play around with them some more tonight.
No problem! There's a headphone out (1/4" jack), a 4 ohm speaker out (RCA jack), line in and out (RCA jacks), Expression pedal in (1/4"), and microphone in (1/4').
I think I appreciate there is oscillator on each of their instruments in this ecosystem. This makes them immediately playable without anything else. I like what this can sound like.it has nuances I like (clangy, buzzy, springy). There’s other things it sounds like I’m not as crazy about, but I think that’s true of all synths.
The price for what you get seems not that bad. At the same time it seems really aimed at the modular crowd many of which will find it at least partly redundant. If just starting down that path this to me seems not the greatest trail head...
Thanks for posting this. Def purchase for me along with the Spectravox. InMusic showing they aren’t going to mess with success. (I hope.) That techno patch shows that it with the DFAM gives you a huge drum Maxine/synth. Those two alone should be a techno artist’s dream.
Thanks for the video but that was so slow I tried speeding it up but then it sounded weird. Needed some edits maybe. Cool you got a vid out before everyone.
I can see where this is going and it only brings more possibilities for people who do not want modular. This teamed up with the other siblings would be a tour de-force for many. Thx for the upload.
Quiet bleeps, ‘bug zapper’ with ocassional ‘ring mod’, then crackles and pops. Nothing here worthy of the Moog name, nor of its price tag. Robert must be spinning in his grave …
@@Jin-Hu Depends on what music you want to make. The Labyrinth looks like it's a great fit for DFAM and Subharmonicon. I like some of the Gamelon-like sounds from the Labyrinth. The Spectravox sounds gorgeous when I stack VCOs on top of each other and feed that through as the carrier, and then apply my voice to it as the program input. It's just the kind of vocoder I've been waiting for.
People like you are a shame for the synth community, because you don‘ have the slightest bit of imagination beyond a bass and a lead from a minimoog. Bob would rotate in his grave, but because such dull people use his instrument. If he would hear that thing he would propably grin and ask, if this is a Buchla…..in a Moog housing.
