in my opinion it is not worth the price...the brass material is not good, after a few months little pink flowers form on the drawstring (brass cancer) the F and D pumps are poorly made, too short with a screw that is closes and loses compression the hagmann valves are not installed well by the factory.....generally the trombone is too heavy and for that price very disappointing
Very nice bass trombone sound. Good job with your tone; full and rich, with a lot of clarity. My only suggestion on this particular piece would be to keep things moving. There were too many slight pauses for breathing at the end of phrases. Otherwise, great job! Tommy would be proud!
@@anterivo I need this sheet music right away because I'm taking the opening exam, so could you send it to me via pdf?Please, I have to submit the sheet music, so the delivery is not possible because it came late
You sound great on a watering can. Choose the one you prefer and anyone saying you sound bad on it I'll invite for dinner. If I had to choose: A. For reasons I forgot when I heard you playing B.
I think both sound great! I prefer the low register of the Courtois as it displays more 'elegance' , however the focus and core of the sound in the high register on the Conn is better in my ears.
Hi, sounds nice! I prefer the first one. It is more consistent through the registers and your musical idea is more clear. The second one is more dark wich doesn’t help the pitch in this case. It also sounds a little more ‘heavier’ in the resistance. Good luck! Bart
Il Courtois ha un suono brillante ,omogeneo nei vari registri impressionante....il Conn ha un timbro ben caratteristico e una forte personalità.....la scelta è difficile.......in orchestra penso sia più adatto il Courtois, come solista il suono del Conn è imbattibile.....poi suonati da te la scelta è molto complicata.....questo brano Orizzonti lo hai registrato con il Conn...il risultato è pazzesco.......❤️❤️❤️
@@anterivo I supposed you are using the same mouthpiece. So in this way courtois sounds better. Perhaps someone would have changed the mouthpiece in order to adjust the resistance between you and the Conn. And then You got better results on last.
"I own fourteen tubas and forty different mouthpieces. Within our trombone section and in our hall, we have quite a large range of dynamics, so my choice of instrument and mouthpiece are equated together. It is based on whether I need a certain strength in the fundamental of the tone. If I use a mouthpiece that makes a horn too bright, then the trombones intrude into the overtones, I am not left with anything-I tend to disappear. So I have to find a mouthpiece that brings out the fundamental and lessens the overtones a little bit. Otherwise the balance in the sections would be lost." (A. Jacobs)
Yes I understand what you mean .... I on the Conn have always used another mouthpiece to reduce the resistance but the constant change of mouthpieces can be dangerous
