Hi, sounds nice! I prefer the first one. It is more consistent through the registers and your musical idea is more clear. The second one is more dark wich doesn’t help the pitch in this case. It also sounds a little more ‘heavier’ in the resistance. Good luck! Bart
I think both sound great! I prefer the low register of the Courtois as it displays more 'elegance' , however the focus and core of the sound in the high register on the Conn is better in my ears.
You sound great on a watering can. Choose the one you prefer and anyone saying you sound bad on it I'll invite for dinner. If I had to choose: A. For reasons I forgot when I heard you playing B.
Ciao Friedrich. Belli entrambi, ma io preferisco il secondo, il CONN (ha più personalità e mi sembra più definito nell' intonazione!) A parte il gusto personale sul tipo di trombone, la tua bravura farebbe suonare bene anche un tubo di ferro.
Il Courtois ha un suono brillante ,omogeneo nei vari registri impressionante....il Conn ha un timbro ben caratteristico e una forte personalità.....la scelta è difficile.......in orchestra penso sia più adatto il Courtois, come solista il suono del Conn è imbattibile.....poi suonati da te la scelta è molto complicata.....questo brano Orizzonti lo hai registrato con il Conn...il risultato è pazzesco.......❤️❤️❤️
Also, die erste gefällt mir besser - ist mehr "Du"...die zweite war so ziemlich sicher die Conn, leise stellen gelingen bei beiden gleich weich und rund - aber die erste ist brillanter wenn es ums Fetzen geht und klingt majestätisch und die zweite sehr ernst. Ich würde die Courtois nehmen :P
@@anterivo I supposed you are using the same mouthpiece. So in this way courtois sounds better. Perhaps someone would have changed the mouthpiece in order to adjust the resistance between you and the Conn. And then You got better results on last.
"I own fourteen tubas and forty different mouthpieces. Within our trombone section and in our hall, we have quite a large range of dynamics, so my choice of instrument and mouthpiece are equated together. It is based on whether I need a certain strength in the fundamental of the tone. If I use a mouthpiece that makes a horn too bright, then the trombones intrude into the overtones, I am not left with anything-I tend to disappear. So I have to find a mouthpiece that brings out the fundamental and lessens the overtones a little bit. Otherwise the balance in the sections would be lost." (A. Jacobs)
Yes I understand what you mean .... I on the Conn have always used another mouthpiece to reduce the resistance but the constant change of mouthpieces can be dangerous
