Telemann war ja auch als sehr alter Mann noch neuen Strömungen sehr zugetan. Seine Engelskantaten, die mit über 80 Jahren geschrieben wurden, greifen der Klassik vor.
Schade. Die Stimmen, bis auf den Sopran, sind Opernstimmen und m.E. unpassend für dieses Genre. Der Tenor knödelt (eigentlich keine Überraschung, bei Operntenören) und die Altististin haut am Anfang ziemlich daneben. Der Chor und Orchester ist super. Schönes Stück, schade, dass die Besetzung nicht so recht passt.
I think I love this guy! The soul does not need music in any language known to the one in whom it resides. This kind of music is what speaks to it and feeds it short of the music angels can make!
Awesome. Bach and Vivaldi are the two names we hear re Baroque music, but when I was discovering Baroque/classical, the Telemann cantatas struck me as the best and perhaps most 'Divine.' Cheers, or whatever is the appropriate emoji for this 🙃🙂
😢😮😢😮😢😮 😅/Esecuzione o Riproduzione da ...migliorare !?..Sicuramente non è facile armonizzare il Coro con il Testo musicale! Speriamo alla prossima?/😊 Ciao
Cuidado con esta Cantata ... no podras oirla solo una vez . Posiblemente sea una de las 3 mejores Cantatas de todos los tiempos . Kuhnau FOR EVER !!! 😍
Demasiado bueno. Telemann siempre me gusto, cuando escuche su música en la radio. Me asombra su ritmo y magnitud de los instrumentos de viento. Sus cociertos para oboe y bajo continuo son fabulosos.
I'm a massive, massive fan of French music, French opera, well, everything French & France! I love them all, though Lully, Charpentier & Rameau, especially. But, I also understand your point as the King's choice & decision made Lully the most dominant, prevalent & well known of the composers at that time & to some people who aren't so acquainted with France & this style of music, still to this day. I love them all, it's hard for me to opt for a favourite! Baroque is my preferred style & I think their (France's) music was & still is outstanding & so beautiful! Louis XIV in his later years however, became more religious, especially after the passing of his wife & so, found Lully's music & operas to be too extravagant & distasteful. He then preferred & opted for Charpentier & his music, much to Lully's sadness & dismay. Although, the people of France wasn't as sure as their King & they found Lully's music to Charpentier's, more preferable & took a while for them to warm to music other than Lully's! Lully still remained a very loyal subject & 'fan' of Louis' & It was, whilst conducting a 'Te Deum' celebrating the King's successful surgery, poor Lully was to meet his painful, premature, untimely, fate. Cambert - a rival of Lully, did compose lovely music & was still, very talented! It's thanks to Lully though, that we have Muffat & his music, as he schooled him & took him under his wing. Rameau, brought with him a new era & style of French Baroque & was one of Louis XV's most favourite of composers. It again, took a good while for the people of France to now, warm to his music, I find this surprising. Now began the music of other composers such as Mondonville & Couperin. Another marvelous composer of them all, was Nivers. His sacred music for the organ is so breathtaking. God bless France, her late monarchy, regency, people, composers & thank God & all above for their talent & music!
😢😢 Oscar Meza Tarde Octavio pórtate 😭 Oscar Octavio Adrian Pérez knini 😢 Oscar Meza Tarde Octavio pórtate 😢 Alexis Tabién😢o Oscar Meza Tarde Octavio 😢 Oscar Meza Tarde Octavio pórtate 😭 Oscar Octavio Kinkni 😢 0:36 Oscar Meza Tarde Octavio pórtate 😭 Oscar Octavio pórtate 2:45 😢 Oscar Meza Monrroy vaMigu Adrian Pérez 3:17
Very good interpretation and a smooth, pleasing phrasing. Correct stops and tempo. The recording's quality and equalizarion could be improved, but the musicality is however great!! 👍
Herzliche Grüsse für ihre Aufführung von Hochreither und auch an das Ensemble und Solisten und zuletzt noch Carlus Gustavus Gruß aus dem schönen Schwarzwald Schallstadt südlich von Freiburg
