Second Crop Creative is a free resource to learn Photoshop and Lightroom. There are 1,000 ways to do one task within Photoshop, and well, I want to show you some of those ways in our Adobe Photoshop and Lightroom Tutorials. Whether you want to learn about photo composting, high-end photo retouching, photo manipulation and much we got you covered. Subscribe and turn on notifications today, so you don't miss a thing!
i note your shooting a sony a1. i just got one and i have a 1 tb i7 64hz windows 11 computer and am surface pro labtop. i am on the struggle bus it handleing the files. I LOOOOOOOVE photo mechanic. I have uploaded to the computer then culled then uploaded into light room and then once done edditing i highlight all the unedtid and delete off lightroom and harddrive. i like the idea of doing it right from the sd card. but oh man have that fear of missing the shot lol.
They got a late start. They didn’t have light. They were figuring out an unknown route (picture the modern route today being a highway and Mallory was building his own country road). They were spotted on the first or second step (Odell) at 12:50p, way too late for a daylight summit push. Doesn’t the second step have a ladder going across it? There was way too much working against them to be able to summit that day before their fall. I wish they made it too, but it seems pretty improbable.
I could be wrong but I think they had a camera mounted to the lunar rover? www.redsharknews.com/technology-computing/item/2742-how-nasa-captured-lunar-lift-off
Ive 5 badger sets uk by me i wanto try photograph. Ive the camtraptions set up and the camera housing.. The ram set up looks brilliant. But which 1 you got as theres lots lol
This was so straightforward and accessible! Photoshop has always intimidated me, but I was able to do a lovely little moonlit forest edit, thanks to this tutorial Thank you!
This is a crazy ask, but would you able to hop on a zoom call or something to walk me through how to get my shit right lol. My catalog is a mess and I need a fresh start haha. I just started editing on an ipad and want to nail in my workflow so it works perfectly with my mac. I am willing to pay haha.
Great video thanks! A fun photography fact is that Apollo 11 carried a handheld Minolta spot meter. The meter was not carried onto he surface but was instead point out windows and open hatches to measure/confirm the settings that would be used. I don't know if it came back, but the Smithsonian has a copy, so the original is probably sitting on the surface of the moon. Google "Minolta space meter" to see it.
I can't remember - but what I did is get the filter/step up ring first and then just took the step up ring to the hardware store and grabbed the one that fit best
Amazing tutorial. Thank you! I don’t understand why you need so much adobe cloud space. Can’t you download the files on the ssd and edit everything on the iPad with the ssd attached ? Also, would the 20 gb adobe cloud be enough if you only use it for one shoot at the time and then transfer everything to the classic? Thanks
I leave those files in the cloud for a while so that my clients have time to grab them. But yes. In theory if your shoots to go past 20GB you would be fine.
I’d like to add my thanks to the many others who have said how good this video is. You’ve explained really well the principles of LR and LRC. You’ve also provided lots of great examples of how to get the most out of LC and LRC and speed workflows up. I do have a question regarding the interaction between Lightroom cloud and the iOS photos library. I’ve had a go at using LR to backup images to a an SSD with my master image files. If the iOS photos library set to “optomise” are images from the iOS device in Lightroom cloud compressed or are they the original image size?
That is a very good question that I unfortunately cannot answer because this is something I am not familiar with myself but hopefully someone in the community can help out! 💪🙏
Everyone talks about the linear profile, but no one talks about the loss of detail in the shadows after applying such a profile. The curved detail cannot be pulled out, and the sliders are designed to work with already profiles from Adobe only.
This tutorial is literally EXACTLY what I was looking for and a HUGE help! I've had a smile on my face for the last 10 minutes I'm so happy with how perfect my project is looking now because of this - thank you!!
This was extremely helpful. I appreciate the technical detail and step by step approach which help me to understand how I can tweak things to make it work for me. For instance, I sync to a desktop drive which is backed up to a NAS drive Big Big thank you.
I have my external ssd that has my catalog on it and any of my photoshoots that I’m currently editing. Once my galleries are off to my clients I archive/backup those photoshoots to make space on the ssd. But I also backup that ssd after every session so my photos are in two locations as well as my Lightroom catalog
Thanks, and how to create linear profile with accurate color profile? i have colorchecker card, i can create color profile but how to combine it with this linear profile so they work together? or this one can do differently? If we install a linear profile, how can we then attach a profile of the accurate color created with colorchecker?
Great question and I’m not going to lie. This is beyond my scope of knowledge- there is a tab within the tool to calibrate a color checker if memory serves- but I do not have experience with this. Hopefully the community can help!
Hi Denis, maybe I'm wrong, but my understanding is that the calibrated workflow is independent and superior to the approach described in the video in term of speed and accuracy in the reproduction of the details in shadows, highlights and tone. (It ignores the embedded profile in the DNG image when creating the calibrated profile.) However, in case when the calibration is not available, with the linear or flat profiles people get the most generous room for post processing without loosing details in tone, shadows and highlights.
