Does anybody know what snare he is playing here. In his biography it says he spent his whole life searching for the perfect snare drum and he was never quite happy with what he had. Pretty nuts when you can hear how good his snare work always was.
Thanks for listening! To view a PDF of the score, or purchase this chart, please visit brianlawrencemusic.com/shop/where-is-here-bailey-ehrgott-arr-brian-lawrence/
Thanks for listening! To view a PDF preview of the score, or to purchase this arrangement, please visit my website www.brianlawrencemusic.com/shop/chega-de-saudade/
I must say, that solo that Lucas Simpson played was just impeccable. It’s Comparable to his performance over “Minor Booze”…nothing EXCEPT FOR appropriate phrasing. It was Beautiful, intense, intentional, intelligent, educated, and emotional. Thank you, Luke.
Thanks for watching! To view a sample score, or purchase this arrangement, please visit the links below! Original version as performed in this video: brianlawrencemusic.com/shop/portal-original/ Modified version for 8 brass, optional woodwind doubles, and optional violin part: brianlawrencemusic.com/shop/portal-8-brass/
Don would be proud. It's a tad slower but maybe that's what guides the players to be able to play the complexities with less difficulty, because Im sure none of them already owned the Connection album from 1972 where this Hank Levy stunner originated. Wonderful tone from the trumpet player, Don would be very, very proud. Thanks for this excellent rendition.
Beautifully done! I love the tempo these guys played at, perfect to give attention to all the small nuances without sacrificing the great feel. I find it interesting how Thad scores for two sopranos here, it gives the sax section a super bright, sharp, almost harsh quality. The sax soli sounded incredible as well!!
