How? Listen to "Bénédiction de Dieu dans la solitude", you might change your mind. Or to what may be the beginning of impressionism, "Les jeux d'eaux à la Villa d'Este".
ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-Qlzn6nQpmgE.htmlsi=zxAEhLiY4Vlr9Tby ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-sUDqX4AZL7w.htmlsi=_DNp49e03WRPUznx ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-IeKMMDxrsBE.htmlsi=IN8EO59goAdoeUiC ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-rOo0cr44Obg.htmlsi=fxWAsVyPhaSrTvsb ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-otCWfUtZ-bU.htmlsi=Eul4gRLUEDAwDPQ2 ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-e_jdqHw23uk.htmlsi=FWh6DpztYtXwhguh ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-bzs90JsIk-E.htmlsi=pD9KT2JopnFd4aI- Book 3 is even better.
it is idiosyncratic when compared to instructions, which there are little to none, if this was played without any nuance it would truly sound robotic and inhuman. yes its an etude but i think alkan must have intended the player to play rubato and interpret their piece to their own idea of its musicality. perhaps that was just another challenge to it, creating your own emotions to express from it. i mean at 3:06 it just sounds so dramatic and expressive, this is the romantic era so i do believe alkan intended for the player to add their own spin on it.
Absolute logic structures and the "barbaro"-emotions form a complex and fascinating unity! Bartok's compositions are like Bach concerning structure and motif-building, but they sound always like the enfant terrible that wants to shock the audience with "barbaric" and harsh dissonances and rhythms.
Jesus is the only way. We have all sinned and deserve Hell. Sins that may seem small in our eyes are big in God's and are worthy of Hell, such as lying lusting and stealing. But if we repent and trust only in Jesus, he is faithful and will save us from Hell and give us eternal life in Heaven. Trust in Jesus! John 3:16 Romans 6:23❤😊❤
On that fateful night, dozens of audience members mysteriously disappeared. It is rumored that only wisps of smoke and small piles of ashes were found in the seats they once occupied. Also curious to note that yelling "FIRE" during this live performance was not considered a crime, but a public service announcement.
I genuinely do not understand how 6:51 is playable. those jumps crossing over the other hand seem thoroughly impossible, but alternating hands on the octave is also not viable. I guess I has to be played as written but... how? maltempo does a superhuman job but also the theme in the right hand is barely hearable (in the parallel spots as well). I guess if he can't play it no-one can probably
This simple and yet gorgeous melody-a slow descending 9-tone scale-has been always lingering in my head for DECADES, and yet I’ve not been to identify it. All I knew was it was originally a piece of the Russian ballet music, likely by Tchaikovsky, so from time to time, I went through recordings of Tchaikovsky’s ballet music, ALL THREE, and yet I was never able to find it… Only the last week, did I get to learn the identity of it. I was never able locate it BECAUSE this piece didn’t get included into the Nutcracker SUITE, and I’ve only checked out the ballet SUITES-all three, the Sleeping Beauty, the Swan Lake, and the Nutcracker-never the entire ballets!!! LOL So there was a time when I thought MAYBE it is by Prokofiev?! (He must’ve felt very Romanic! LOL) So I went through the Romeo and Juliet, again, SUITE only!!! Hahaha And guess how I ended up FINDING IT. One day, a few weeks ago, this melody popped into my head again, and this time I actually Googled: “a slow descending scale ballet music”, and VOILA, Google found an article that described it as I did, so here I am. WHAT a JOURNEY. Literally, it took me over ten years I kid you not!!! LOL
