Wyatt, just STFU and let your guest speak, you guys keep asking him to show things then you interrupt him and ask a question about a different section.
This device struggles driving 250 Ohms headphones (Beyerdynamic DT150) to a decent level. Not talking bleeding eardums but usable level when recording vocals.
I'm here because Bandcamp is forcing me to clean out my hard drive so I can spend the day converting 30 tracks to WAV. Silly. I just watched two 'you CAN tell the difference' videos but they both effed with the audio first, they didn't just play it. Bandcamp would be better off telling users they have to buy decent headphones.
This is great as long as you're listening with your eyes. Massive has a smaller footprint, doesn't require extra files like wavetables to operate, is A LOT more CPU friendly AND costs less.
I'm looking for some suggestions on other De-Click plugins. I'm using mac oS Catalina with Ableton 10... and it looks like Izotope RX 11 is not compatible. I have the Waves De-Click plugin, but am looking for something more effective. Does anyone know of any other de-click plugins that could be compatible?
Great walkthrough, just wondering can you se the dynamic follow node to duck as well as follow like in surfer eq 2 (just asking as I've been tossing up between nectar or a dedicated eq like sound radix surfer eq 2)?
I am surprised to find out today that Pro Tools suffers from the latent plugin before rhythmic effect issue. Sigh. Exactly like Ableton. Thankfully aux and sidechains are compensated and it's also fully compensated visually, but this was the last thing I expected. It moved me to test all the DAWs I have access to and some demos of others. So far I can confirm that S1 V6/Bitwig 5/Cubase and Nuendo 13 do not suffer from this issue whatsoever. I even went crazy and added two linear phase EQ's before the Pump effect and they were perfect. In Pro Tools if you move the latent effect to after the rhythmic effect in the plugin chain, it is fine, just like Live, and I suppose it's not the end of the world since it doesn't have any of the other issues, but since I really wanted to get into writing a glitch album, this is definitely going to be a bit of a pita for me. I'll have to bounce all the time and use processed audio files which I don't like doing. I'll test Logic and Reaper later when I have more time, more a curiosity now. So I can not believe I am saying this, but Pro Tools now goes into the very small and niche group of DAWs with broken delay compensation. WOW!
No difference in version 12, I can not believe that Live's compensation is still this bad vs all other DAWs. There are only 2 major DAWs that have poor PDC like this, and that's Live and Reason. I would have switched to Ableton full time a decade back if they fixed this as I enjoy the workflow. I am a heavy UAD plugin user, all my EQ's and dynamics are done with UAD, therefore I have various latencies all over the place, so you can imagine what kind of fresh nightmare Live is for me. I actually don't think Ableton get it - and I also think that's why Bitwig made such a point of doing this to perfection (frustrated ex Ableton staff started Bitwig). But it's why I stick to Pro Tools and Nuendo myself, as the compensation is beautiful, for sidechains, sends, the visual playhead, all tempo based effects, everything just works. The other DAWs calculate the delay when you press playback before the playhead starts moving, and voila. Much of Ableton's problems will go away if they simply did this, and they already have the base code to do this in there otherwise PDC wouldn't work at all to begin with, but they just don't want to add the feature. It's interesting when the devs of every other major DAW in existence understand the need for this, and implemented it properly many years ago at that. I can almost forgive Reason, because the rack is so modular and anything can be wired to anything, that it's very complex. Almost. But Ableton I am downright annoyed with - every year I check it and every year it's broken.
"Minus the Low frequencies" ...ya but at what point? and what band curve? lol. I just have a feeling its not this simple, or all the serious developers would already be doing this, cause its not that complicated. Something is being swept under the rug here, like maybe its not even happening lol
Okay this was helpful, however my folder management is so bad that all music I have made over the years are in different sets but are all in one project 💀
If I get a raid solution like your can I use it as my only external drive and still get the feature where I can replace a single drive and it fixes itself ???
57 ways to make money. 990 seconds. That's 17 seconds per way. This better be good. One of the ways better be caterer to the stars. Ketchup. Mustard. Relish. Heinz 57. I dunno. Seeing the number "57" just rang a bell. The number "76" does that to me too.
