I don't mew, but i've been told Sigma reduces goons In my gyatt when i can mew it Gooning compares to skibidi rizz We can mew our gyatt in rizz Traveling ohio land Mewing in the mirror Skibidi report Grimace jabberwocky (Bring her along brainrot ver)
i remember someone was pointing out how the beginning lyrics sounded like the members of Tally Hall. "Oil" might be Ross (grey) "Blood" Joe (Red) "Gold" Rob (Yellow) "Emeralds" Andrew (Green) "Orchids" Zubin (Blue)
Dream sweet in sea major genuinely feels like the beginning singer at the end theyve went through so much but they want to go back in time my assumption is because of the line "for merely dreaming we were snow" changing the original of "with sparkle crystals souls aglow" and because the beginning songs named "introduction to the snow"
also, at the end of isle unto thyself (the intro to black rainbows), it very faintly says "worker, i saw you begin i-" like when Variations on a Cloud says "Miracle Worker, i saw you begin it". am i the only one that noticed it?
I love how everyone thinks he's one big joke. Joe hawley is CIA, secret society, cannibal class, mind control handler, predator, not joe hawley. You people think he is so funny. Why? You dont even get it.
i really wish this song was longer, or there were more songs with the same energy. it's giddy, ominous, poetic and downright goofy at some points and i vibe with all of that heavily
Time Machine appears at 1:56 of DSISM, as a robotic voice saying the chorus of “With a Time Machine”, and the last two repeats says “I wait for you”. Murders piano also appears at 4:37
no? neither of these exist, no clue what you're talking about... The entire murders piano is availible in Hawaii Part 2 Part 2, so it's not like I can't check that, and it doesn't exist. where tf do you hear time machine bro?
Great video, one little thing. I wouldn’t call these leitmotifs? The story of the music is VERY vague. I know about the Simon thing, but there’s a reason that wasn’t included in the Final Cut. I think these are just little ideas that tie the music together, make it feel like one long song a little more than your average album might. Leitmotifs are little pieces of music that represent people or ideas, and that’s not really applicable here.
hay uno que descubrí por haber escuchado tanto el album, pero no es un leitmotiv las notas de las vocales de variations on a cloud cuando cantan la parte de keep it coming back son las mismas que las del principio de la parte final de dream sweet in sea mayor (justo antes de que empieze a cantar la parte de bye, hi, sight hawaii)
During the glitched bit before “Nuns commence incanting” in The Mind Electric, the piano part from Murders (from just before “All, for nothing at all”) is present (slowed down and pitched down). Also in The Mind Electric, during the “See how the serfs work the ground” section, the chiptunes (8-bit) part from Labyrinth is in the background. The “Keep it coming back” part in Variations on a Cloud is almost identical to the beginning of Bye, Hi (from the end of Dream Sweet). This one’s a bit of a weaker connection, but the very beginning and very end of Variations (the piano and the beat) sound like the end of Dream Sweet (the repeating notes).
In general I personally noticed that a decent amount of lines or piano melodies have the either the same flow of variations on a clouds line “why don’t we keep it coming back” for example, the piano piece at the end of Introduction to the snow has the same melody. And a decent amount of mind electric lines have the same amount of syllables as one another
At the point where you say there are no more noticeable differences there is one more that I can hear, the album version has the sound of metal being struck by something (presumably hammers) starting at "see how the serfs work the ground" and ending just before "doctor I can't tell if I'm not me" that isn't present in the youtube version
