Thank you!!! For this one I just had a simple workflow in DaVinci Resolve - I decoded the CDNGs to P3 D60 Linear, then did a Color Space Transform to Arri Log C, then graded using Dehancer, as a Kodak 50D Film Emulation, with Kodak 2383 Print Film, and tweaked the colour heads to bring out the greens more, and added grain.
@@suyogmarlecha4466 Nope, from what I've read it's the truest colour space for raw data, so I almost always decode CDNGs that way and then Color Space Transform into whichever camera colour space the sensor is closest to.
@@GregAsdourian A friend and I replaced his button ribbon cable recently, just takes a few tries to make sure you really line up the little black knobs in the tiny holes.
Is this a CCTV lens? I know C mount lenses are fine, but do CS mount lenses work with MFT cameras? I found Kowa f/1.6 3.5-10mm from a random $15 CCTV camera, and wondering is it any good lol. I heard about Kowa but not in a CCTV world. I searched "Arecont Vision" and found lots of IP cameras with zoom lenses.
Yup, it is a CCTV lens! One thing I didn't make clear in my video is that with the conversion the GoPro becomes natively CS mount, but comes with a small CS to C mount spacer so it can natively take C mount too.
Good job! I plan to buy Dehancer soon. I use vintage prime lenses for cinema as well. I like the Canon FD 24mm f2.8 I bought new in 1973, plus the Canon FL 58mm f1.2.
Thank you! Amazing, I'm working on building out a Canon FD set right now, just need an 85mm to round mine out! And when you buy Dehancer please consider using my code HOFF10 ;)
This is one of my favorite classic lenses for the BMMCC with the C to MFT adapter. Performs flawlessly and gives you such a stunning image. I am glad to see others using this lens.
At 12 seconds - the side by side shows my money was well spent. From there on, it just kept confirming the differences. Thanks to you for Testing and Thanks to Cole for making them available at a reasonable cost.
@@officially.nguyening awesome, so glad to hear it!! I'd install GoPro Labs for the 11 (you can look up on the GoPro site how to do that), then using GoPro Labs turn down sharpening, noise reduction, and make it a flat colour profile. Then shoot in 4:3 mode if desired, as well as try to attach an ND to the lens so you can keep the shutter at 180° from the frame rate!!
Haven't tested it yet, I have two Metabones EF-MFT 0.58x speedboosters though, I'll try them out.
Месяц назад
@@VietinghoffAlex Thank you for the test shot. I would be also courious about x0,58 compatibility! Important question. Dont you felt the image get too soft? Looks promising however and colors are much much nicer!
Personally I didn't find it too soft, I actually normally use mainly vintage lenses so I like the look!
Месяц назад
@@VietinghoffAlex Thx for the answer. If you have time please try out and let us know if the Speedbooster x0.58 is okay with the filter. That is an important question however measurements tell it should work nicely without touching each others surface. With a short test footage about softness, that would be super helpful for many of us.
Thanks bunches for this! I'd been thinking about checking out anamorphic lenses for my DSLR but for mere tests they were all a tad too expensive for me. This is a great alternative for experimentation.
Why did you put a film emulation on the digital footage? If your goal was to compare a vintage lens on an 8mm camera vs. the GoPro, slapping a film filter over the GoPro footage makes the comparison moot. We can't see the differences. Why don't you just denoise the 8mm footage while you're at it?
The purpose was to specifically see how they compare as a Super 8-type camera. I also have a bunch of footage in there from the GoPro without the emulation. And you can find any GoPro footage online that will give you a sense of the GoPro sensor colours and motion cadence. The only difference with mine is that it has an interchangeable lens :)
Or just buy a split camera for fpv and put it inside a broken super 8 camera to use the lens assembly . or use the cinepi project with the global shutter sensor and do the same. Also old CCD cameras that have video work too. panasonic fz48/47 being my favorite for that, depends if you're ok with 25fps europe version , US will probably be 30. But you can find the service manual with instructions on how to change location I thing, I'm from Europe so It was 25fps already . Some canon and JVC cameras have 24fps video in CCD but for 720p, a1200 for canon and I forgot what jvc. Went down a big rabbit hole with this a few years ago and bought these cameras for around £10-20.
I really want to make or test a CinePi! That's high up on my list of camera projects this year. Also been watching some videos of people installing Rpi cameras and similar inside old Super 8 cameras. I think I'll try CinePi first, then that! Thanks :)
@@VietinghoffAlex probably best to start with cinepi, because it’s about the same price as the rest really and you get raw. Plus you can do custom hardware controls with cinemate .
@@VietinghoffAlex I don’t know, I got a pi4 off eBay for my stuff . And to be fair why spend the money on anything else , especially since it’s cheaper. What would be cool would be some new sensors, maybe something bigger. Like the arducam global shutter one. There’s another cool pi camera project for webcams , another RU-vid channel forgot the name Jeff something has a good script on that one. And looking through the readme files on their git they might have bigger sensor support. They use a pi zero , that’s way smaller. Another thing I’d love to have would be log gamma , and I’ll have to read the manual on that one , because there’s got to be a way to modify picture profiles. Although I’m not sure now but the pi5 might have more data lanes to the sensor so maybe we can get better resolution when it gets up and running on that platform. Honestly the sensor to cpu part of it is new electronics to me . They have their own protocols and configurations that require a lot of research. I got a bit into that with ccd but nothing bar a few Wikipedia entries with modern sensors. Spoiler alert there are good reasons video took off on cameras only after cmos sensors 😂😂😂😂, and the ones that did it on ccds, were rarely pure ccds.
@@VietinghoffAlex It takes a lot of space. On a 2TB card less than 300h in 640x480/24 frames/1bit of color per pixel. Let's say 1920x1080/30/12 bits 88MB/s Seven hours on a 2TB card.
Haha it's all my honest opinion! I wrote it myself with no review from Dehancer. Like I said, I already used and enjoyed it before they ever approached me for a review.
I actually had a BMPCC and sold it! But you can see some test footage I shot with it and a Mir 12mm f/2 for a super tiny vintage camera and lens combo here: ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-kYacamGVpIM.htmlsi=9LIOIeWhoWhBe7Hb&t=452
@@VietinghoffAlex wow this is so awesome 😭 I only started my collection and I have Voigtlander 58mm 1.4, Tokina 100mm 2.8 macro and Nikon 28mm 2.8 AI-S
People love this look but camera manufacturer don't. We still don't have a major company producing digital cameras where we can get film look straight out of the camera. Still to much postproduction is involved even in ARRI footage.
