It's amazing 😍 i love it the best setup. i want it because i am a multi talented like photographer videographer singer designer painter so i want this type setup.. are you on Instagram?
budget pencil SDC like sE7 hang on top aim at chest with OBS or free vst plugin no blocking view & no sound bouncing desk, no big ugly arm & no money waste on overrated arm & no phasing comb shotgun issues & no need expensive mixer extra money can be used to buy gold & silver preparing for the monetary collapse & ww3 armageddon ...oh yes its coming
I like the layour of Davici Resolve for the wholistic editing experience and visuals of seeing the audio levels ete however I wondering if you should just export the XML to Final Cut Pro DIrcetly. I solely use FCP with a tool called Timebolt however it doesn't cut the clips like Firecut does so. I think you could just go directly from Premiere Pro to FCP with that XML file.
I love using the Zoom F6 for my audio capture because it'll record in stereo export as one file, but multiple channels. Then you can go into Adobe Audition and export into multiple Mono Files and then run WTAutomixer and use it to automix for me. This is great because it'll really optimize audio for the speaker and eliminate comb filtering. Now I understand that the Rodecaster pretty much does all that but i like having a little more granular control in post after the fact. And then if i need to run something like autopod, i'll also have each of those individual audio files for each person and that'll run the way you have it running with the auto switching. Having the ATEM extreme ISO is rather nice too because EVERYTHING will be sync'd up for me. Like you, once i have everything done, i'll bring it all into FCPX to do all my finishing with compression, intro, outro, and stuff with my plugins. Great video, as always!
Being able to sync the elements by the audio like you did seems super handy. Way less fiddly than having to do that step manually (which is never a perfect science)
That’s an interesting workflow. I can see where it can save time. Have not heard of Firecut. I usually upload Guest and Host clips to Descript and apply templates to sub-clips for podcast promotion. The Multicam tool in Premiere is something I use where I want t bit more control. Recently invested in a ATEM Mini ISO so I can generate program out in addition to isolated footage. Limited to 1080p. Thanks for sharing Kri.
I've tried really hard to like working in Descript, but not my jam. I have the ATEM Mini Pro ISO and having the separate video files is fantastic. You can replace the footage with higher quality (i.e.) 4k, but making the camera cuts in Davinci still takes a ton of time, even if you do manual cuts during the recording. Either way, the quest continues! Appreciate you sharing, Gary.
@@kriedholm Yes, Descript takes some getting used to. The Automatic Multicam, which is based on who is speaking, is a good addition. I have setup some Templates for Reels and Square videos that I apply to snippets that I think are nuggets from my interviews.
I’ve heard many say the equipment that you bring to a shoot gives a client the image of being a professional. It also includes drones. You need the realtors or clients that just give you the key so you can work your magic.
Video của bạn thực sự đang giúp tôi đấy!. Tôi là không thích chụp ảnh lắm. Nhưng gần đây tôi cần mua máy ảnh do muốn mở cửa hàng và cần những tấm ảnh sản phẩm, cụ thể là trang sức. Tôi muốn mua camera Sony A6700 và giữa chừng nhớ đến DJI Osmo Pocket 3! Và tôi thấy video này!! Nhưng tôi vẫn thắc mắc mình có nên mua Sony A6700 để chụp ảnh sản phẩm không, hay chỉ cần DJI Osmo Pocket 3 cho cả quay video và chụp những tấm đăng Instagram? Mong ai đó cho tôi lời khuyên, vì tôi thấy hai cái máy ảnh là hơi nhiều 😂😂
Maybe a silly question. But would I benefit from a streamer x if I am trying to have a 2 person podcast and 1 camera setup. My Sony a7c can be recognized as a webcam on my MacBook. I would then use my wireless go II with the interview handle. I would prefer to use XLR mics (or 1 XLR + WG2 for an occasional guest).
Thanks for the well informed video! I've embraced the small form factor of the 𝛼6700. Being small certainly has its disadvantages, but being small has its advantages, too. I shoot a lot of doc style projects and I've found that the smaller form factor of the camera is less intimidating to non-professional talent. I purposely did not buy a cage nor too many other add-ons for my 𝛼6700 for this purpose. For me, the 𝛼6700 mostly lives on a gimbal anyway, so less stuff on the camera works well for that. Plus, I have a couple of clients who've embrace the small form factor and the 𝛼6700 certainly fits great into that category. Luckily it performs big! (By the way, I use the Sony 10-20mm APSC lens for gimbal work and it totally rocks!) Quick note on the overheating issue...I have not experienced it with the 𝛼6700. Just yesterday I was filming outside for several hours in the Texas heat and had no problems. (My client likes to shoot XAVC HS 4K, 4:2:2 10 Bit, 24fps in S-Gamut3.Cine/S-log3) I did try to keep the camera/gimbal rig in the shade when not rolling, but this was because the matte box top flag of the Tilta Mini was so hot in the sun I couldn't touch it. Luckily, we finished filming outside before the hottest part of the day, but the ambient temp was 95˚F by the time we were done. (I think I was more overheated than the camera!)
@@kriedholm No problem! Coincidentally, your video among a few others on the subject influenced this investment into my business. I don't regret purchasing this kit! :D
I don't shot professionally yet but I've had my 6700 for a couple of months now.. First problem was overheating, I went into the settings and chabged the overheating limit settings to high, now I can shot longer in 4k 24fps. The longest I've gone is 1 hr plus indoors. Thanks for sharing
4:2:2 10 bit all the way! I never do heavy color grading but all the extra info to push things just a tiny bit to get the look you want is incredible. Also, the ttartisan 27mm 2.8 (the og for cheap 27mm lenses) is my favorite purchase...if I ever want something to look fun straight out of camera I use that. 27mm quickly becoming a favorite focal length and that darn 27 1.2 isn't helping...I want it soooooooo bad 😂 Awesome video!
Dumb question. I understand the video and mic with the device on zoom. But how do you listen to your clients on your zoom meetings while talking into the mic and giving the sound effects? I’m assuming you must be wearing headphones? You cannot use monitor speakers correct?
You can hear others via the speakers on your computer, but if you go this route, you won't be able to hear the sound effects. In order to hear both, you'll want to monitor using headphones via the Streamer X.
So helpful! I like how we could see live examples of what the lenses look like 📷 The Sigma 16 looked fantastic. It is cheaper than the Sony 15 and has smoother bokeh. The Sony is lighter ok whatever. Thanks for this video.
I have been attempting to setup for my podcast since February. I have amazing equipment but was clueless on how to make it all work. You have helped me so much. Thank you for all your tutorials.
