One of my top favorite palos. The combination of the solea tonality and the buleria compas make a mix that I just can't seem to get tired of. It indeed captures the essence of flamenco. Your execution as always, is exceptional. Thank you for sharing.
Luciano, you are indeed a maestro. Your music is precise, subtle, and passionate at the same time. It evokes a lot of emotion to listen to it, same as Vicente Amigo and other top flamenco guitar performers. Bravo!!!!!
Maestro can you tell me what are you using for recording your guitar? Would be nice if you could write which microphone, and all the other equipment. I love the quality, keep it up ! =) Lovely.
O maior, pra mim, foi Moraito. Os que vieram depois impressionam mas não o superam. Mas o jeito com que você toca me agrada mais que muitos. Resumindo, você e Moraito me agradam ouvir em 1º lugar.
I guess I should not be suprised that when I wanted to find an example of Rodrigo performed on a flamenca blanca, your video was one of the first (and best) that I could find. I am eagerly awaiting shipment of a new flamenca blanca from Prudencio Saez. Your channel has not only inspired me to explore flamenco as a style, but also to freely embrace the luscious SOUND of a flamenco blanca for use in non-flamenco music. So delicious. Amazing work, amazing talent.
Hello Luciano, from which joint does the power come from for picado? from the middle joint? Or base joint? I mean, which joint does the momentum come from? I think with Paco de Lucia it comes from the middle joint. at Antonio Ray from the basal joint. Am I seeing that correctly?
Very nice 30 - minute flex😁 Flamenco is Kindergarten easy: You just need to know the fretboard, the guitar, know all the 600 chords, get the rhythms for the 178 palos down and put all the right hand techniques under your belt, and you're set for life, right? Well almost, I forgot the six types of golpes and the lightning fast runs. And a quintuple tremolo also could come in handy here and there.
