..habla EL INFRAOMNICIENTE : Razón que El Yo Mio de Mi Mismo, va transmutando dos veces. La 1ra desde El Aquí hacia El Mas Allá. Y esta 2da, desde El Mas Allá hacia El Mas Aquí. Ohhhhh ! !!Y ha sido para poder disfrutar de esta BRASS of the Royal C. O. !!!!!!. Y si no me equivoco es una propuesta musical unica acompasado con aplausos de los mismos integrantes. ! Gloria a este noble pueblo que "pario" estos artistas !!!. Saludos desde el terruño mas cercano al SolLuna, dioses de la Hermanad y los Amantes : Ecuadorsito.
Former orchestral trombonist here. Magnificent! The soloist seems impressed by the horns. We once played a Bill Conti film score show. They hired in five additional trumpet players, all of them with Broadway chops. We were seated immediately in front of all eight of them. I could rarely hear myself or my section mates. I’d like to see the vocalist’s reaction in that situation!
Coiled trumpets were common in the Baroque period, and although the original instrument was called a post horn, it is more related to a trumpet due to its cylindrical bore. The instrument played in the video is a modern version of a post horn with added valves. For it to be a (French) horn it would need to have a conical bore.
What a magnificent work of Mahler. It contains everything on the earth both emotional and spiritual. One comment please. Most tympanists around the world play sitting down such as these members. In the words of the most recognized and greatest tympanist of all time the late Everett Firth of the Boston Symphony Orchestra in a discussion with him on the art of tympani, he stated that Timpani must be played standing up in order to play it effectively with the best sound. That’s not a quoted verbatim but that’s what he told me one day backstage in Symphony Hall. I was always very impressed by his outstanding performances.
