We could implement this pretty easily :-) Do you think others would be interested in this feature? Please note, CO ICC profiles (the ones that are built correctly) have a built in gamma 1.8 to 2.2 shift + mapping from camera space to smaller working space in CO. So if you convert an ICC profile from CO to a .cube LUT and you want to use it in let's say Premiere Pro, you would probably want to "reverse" these built in characteristics when applying the LUT as they wouldn't translate very well in video.

Unfortunately hard to tell. Sounds like some sort of GPU issue but really hard to tell without some proper debugging. Probably best asking Adobe forums.

Unfortunately not right now. We’re working on implementing it, I hope it goes live by the next point release.

Thanks we worked hard on it.

@@LutifyMe3DLUTs It definitely shows!

Don't forget to apply the correct colour space for the 3rd party LUT when applying it so that the conversion is correct. See 03:13 mark in the video.

@@LutifyMe3DLUTs How do i Register my paid Lutify Luts into the app.

They are a legacy product found under the professional package - lutify.me/products/legacy/

LUT support is up to the "host system" in this case the Atomos Ninja V. Our LUTs will work with any software/hardware that supports 33x33x33 sized .cube LUT files. According to Ninja's documentation it should be supported.

If your footage is IPP2, you would need to convert it from IPP2 into DWG in that case. However, please note if you do that, the LUTs that you use (if you use creative LUTs) need to be tailored for DWG.

Hard to say without seeing your timeline. Could you shoot us an email?

Hi Christian, the purpose of the tutorial was to explain the concept of the correct order of actions and the advantage of making all your grades in a wide standardized color space. Adjusting the white balance for example in r3d settings is preferable but it's important to understand the correct order of actions.

@@LutifyMe3DLUTs That makes total sense and thank you for the reply! So in terms of the correct order of actions, would any metadata adjustments happen first? Including curves? Although the metadata curves is harder to use it feels like it's better to do as much as you can in metadata and then move on to adjustment layers. Let me know if that's correct. Thanks!

@@ChristianSpraungel Metadata changes take place first. However, there's very little visual benefit visible by the naked eye to metadata changes opposed to editing the log footage directly. Think of it this way, a LOT of footage is shot in log in a "closed" format like ProRes. In the end does Alexa's ProRes footage look worse than RED's raw clips when you see them on TV or in cinema? Perhaps if you pixel peep, but I doubt you would be able to see the difference without knowing what's what. We're not trying here to say anything against raw formats, quote contrary, but one has also to be realistic, meet deadlines and enjoy what they're doing... Don't think about it too much, just get that grade done :-)

not in the basic correction tab

It's the professional package available from lutify.me.

Same layers approach should work in AE as well

indeed. Apply the output transfor lut in the creative section.

Absolutely not. Just load the .r3d files in PP directly and start working with them.

You don't have to convert into Rec709 to qualify skin. Yes, it can be easier to qualify in Rec709 but it's definitely doable in wide colour spaces as well and if done properly holds all of the benefits of making your color decisions in a wide color space. The "secret" usually is controlling the "Low" saturation and luminance level and adjusting the Hue range. Mainly the "Center" of the hue.

Hi, please see our other responses to this. Yes, it's better to do it in master clip as it's working directly with raw data. White balance change as demoed was for convenience purposes.

Check out our other replies to this very question. Basically, just for convenience and to demonstrate a workflow. For raw footage best making adjustments using raw controls.

Hi, yes they do. Please contact our support if you would need any specific support or tutorial on how to use them.

Lutify.me thank you so much

The only reason for that would be convenience. That way all edits are in one place instead of being scattered. It's better to do white balance in RED master settings. This was just for convenience.

@@LutifyMe3DLUTs Gotcha! Thx for the response. Also just bought your guys' LUT pack and am loving it!

For simplicity purposes we demonstrated this using the white balance control. For raw files, regardless if they are RED or other format it's best changing the white balance by manipulating the raw file. Regarding adjustment layers, we find this very intuitive and once you start working this way you actually know what each layer does always. If you prefer you can stack Lumteri effects on the clip.