How to correctly color grade RED IPP2 footage in DaVinci Resolve

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Before you view this video, please have a look at our previous tutorial as it covers some of the basics of working with IPP2 footage:
• How to correctly color...
RED's IPP2 workflow is a game changer when it comes to color grading but it is very important to treat your footage properly to ensure you are using IPP2 to its maximum potential. Find out how.
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The footage in this video was kindly provided by the wonderful guys at raw.film. RawFilm is a subscription based platform offering premium stock footage shot exclusively on RED cameras in raw format. If you need a footage for your project, make sure you check them out.
Visit lutify.me to learn about our IPP2 tailored 3D LUTs color grading packages.
See the easiest and fastest way to preview, mix and match LUTs - lutify.me/products/luts-previ....
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Опубликовано:

11 сен 2019

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Комментарии : 44

@davidlundphotography1415 Год назад

Jay that was such a clear, precise but simple explanation of using IPP2. I purchased a RED epic dragon and it has been a learning curve. Thank you Jay, excellent stuff.

@MattFaris 3 года назад

Thanks for this. Always great to hear other people's processes. Great explainers of rationale behind node sequencing.

@ManuelRener 2 года назад

great tutorial on the maths about how to treat properly red wide gamut colour space, very instructive and accurate ! cheers!

@mcjayred 2 года назад

This tutorial is simply amazing man, thanks for making it, very helpful and much appreciated.

@macandbern 4 года назад

Probably best to just go into the Red decoding settings at the project level and do all of that, then select to keep the iso, color temp etc "as shot" - much better way of doing it so you're not copying shot specific critical.settings

@miso12162 4 года назад

Thanx a lot!

@dyslexic7 3 года назад

well done!

@AndyDoddFilm 4 месяца назад

'I need your clothes, your boots and your motorcycle....and your Lut'.

@norwinhatschbach7464 4 года назад

if you want to use RCM Resolve Colormanagement i understood so far that it's very important to grade in your camera ColorSpace and set the output space to whatever your final export needs. Example: Using RED Dragon it would be RedColor+Gamma 4 -- RCM output colorspace would be Rec709 gamma 2.4. --- where do you fit the IPP2 Settings and the conversion LUT?

@losmandu 4 года назад

I believe you can just middle mouse click to copy all the settings, no need to grab stills, etc.

@henroveenath791 Год назад

Thanks for this tutorial. I'm switching over from premiere pro to davinci. How can I use or make the burnt in LUT from my komodo camera active in resolve? Thanks ks

@umbassa 4 месяца назад

I'm curious as to why you never showed us which Project Settings to use?

@dipanka 4 года назад

Excellent very useful tutorial, many thanks. Pardon this one stupid question from a beginner. You have emphasized that the order of the workflow is of utmost importance. Yet in the video the first step was to apply a conversion to Rec709. Is that okay, as long as its on the last node? Or was it just for demonstration, but in practice you would not do this?

@LutifyMe3DLUTs 4 года назад

The order in which nodes are organised or placed in node tree is what matters. It doesn't matter if you apply first a log conversion as long as other nodes take place before it. Think of it as layers in Photoshop if you're familiar with them. The top most one is the last one applied to the image but it doesn't matter if that's the one you actually created first. What matters is that it's top most one.

@matty_jennings 4 года назад

Hello, just wondering how you would deal with multiple camera sciences in the timeline? I have r3d, DJI X7, slog3 and of course, gopro... Is there a catch-all sequence setting that would be a good starting point? Thanks for the video and LUT's, mega helpful!

@LutifyMe3DLUTs 4 года назад

The answer to that would be to use ACES colour management. We will have a video about that coming soon.

@bikash9552 Год назад

Hello how to upgrade basic package to professional thanks

@snobo7250 Год назад

I noticed that in the raw settings in your video, there is a contrast slider. I'm on Davinci 18.5 and when I select IPP2 there is no contrast slider in the camera raw settings. Why is that and how can I change the raw contrast?

@j8keruss 4 года назад

Can we use the Resolve Color Management (RCM) under Project Settings > Color Management? I went and changed my Color Science to DaVinci YRGB Color Managed but when I go into the dropdowns, I don't see IPP2 as an option.

@LutifyMe3DLUTs 4 года назад

Yes you can, you would do that in Project Settings > Camera RAW though. Then make sure you select RED, then 'Project' under 'Decode Using' so you can select IPP2.

@dubstepzsi 4 года назад

Hi i have a client who wants me to grade there IPP2 which i sfine your video has helped massively thank you very much, can i ask they have asked for DCI Scope 4K as one of the 3 exports they want me to do... to get the correct grade is there any settings i need to apply before grading to get the correct grade on the DCI export they want? Thanks. Simon.

@LutifyMe3DLUTs 4 года назад

Hi Simon, for DCI you would need to use the IPP2 to P3 DCI log conversion LUT, instead of conversion into Rec709 at the end of your pipeline and of course monitor on appropriate P3 DCI projector or monitor.

@JohnD271 3 года назад

What if you needed to qualify skin? Wouldn't that have to be done after the rec 709 conversion?

@LutifyMe3DLUTs 3 года назад

You don't have to convert into Rec709 to qualify skin. Yes, it can be easier to qualify in Rec709 but it's definitely doable in wide colour spaces as well and if done properly holds all of the benefits of making your color decisions in a wide color space. The "secret" usually is controlling the "Low" saturation and luminance level and adjusting the Hue range. Mainly the "Center" of the hue.

@PaulAntonescu Год назад

Would it be wrong if, besides the IPP2 I use the "davinci wide gamut/davinci intermediate sandwich" instead of the LUT?

@LutifyMe3DLUTs Год назад

If your footage is IPP2, you would need to convert it from IPP2 into DWG in that case. However, please note if you do that, the LUTs that you use (if you use creative LUTs) need to be tailored for DWG.

@aleksanderknudsen_dp 4 года назад

Why is it benefital to apply luts before the log-to-rec709 conversions? And since you have to use compatible luts with that workflow, have you converted your luts so that they work before the log conversion? In that case, how?:)

@LutifyMe3DLUTs 4 года назад

It is beneficial to apply LUTs before Rec709 conversion because after conversion has taken place you are locked in the Rec709 space. Outputting to P3 for example would require a re-grade. Also Rec2020 or any other space. If you save the log conversion for last step, the need for change after a grade has been locked would be minimal and all that would be required is a different log conversion. Because of this we offer IPP2 LUTs which are to be used before log conversion, however, yes that is for IPP2 RED footage only. As for other LUTs and workflows, we will soon be releasing a new product which will work exactly that way and allow you to make all of your colour grading decisions in a wide standardised color space and apply log conversion only at the end.

@aleksanderknudsen_dp 4 года назад

@@LutifyMe3DLUTs Got it, thanks!

@subashamgain 3 года назад

where can i get this luts ? ipp2 package ?

@LutifyMe3DLUTs 3 года назад

It's the professional package available from lutify.me.

@Freedom-is5st 2 года назад

When I add a IPP2 node it really messes up the image - Im adding it before the rec 709. What am I doing wrong?

@LutifyMe3DLUTs 2 года назад

Hard to say without seeing your timeline. Could you shoot us an email?

@mjregan88 4 года назад

Why not just use the RED IPP2 Lut that is provided offically by RED...? Is there a benefit

@LutifyMe3DLUTs 4 года назад

Michael James Regan Hi Michael, of course you can use the LUTs provided by RED. As long as you keep the correct order of actions, you can use whichever LUT you’re most comfortable with.

@CodakChris 4 года назад

can we please get a final cut tutorial cause its 0 videos online 000000000 none

@wugary2395 4 года назад

Why don’t we use one LUT instead of two LUTs to make this happen? Means we don’t need 709 look actually like grade a movie

@GiuseppeTrenta 4 года назад

the clip isn't shoot in IPP2 workflow?

@LutifyMe3DLUTs 4 года назад

This was shot before IPP2 existed, and that's the beauty of IPP2 workflow. You can benefit from it even if you didn't use it in-camera.

@CodakChris 4 года назад

this dont work for final cut

@LutifyMe3DLUTs 4 года назад

Hi Chris, the video clearly says DaVinci Resolve but you can use the same principle for FCPX. Just make sure you add the corrections to the clip in FCPX in correct order. If you need more help, please contact our support.

@CodakChris 4 года назад

@@LutifyMe3DLUTs thats the point im trying to make . you cannot follow this in order in final cut it doesnt look the same

@CodakChris 4 года назад

@@LutifyMe3DLUTs i wanna buy lutify but there is no help for final cut users so im a be stuck at square 1

@LutifyMe3DLUTs 4 года назад

@@CodakChris Hi Chris, here's a screenshot from FCPX with exact same steps showing a working result. First some color wheels to make some exposure and white balance corrections, then IPP2 LUT, then log conversion LUT. imgur.com/LUIk5WV For more help, please contact our support, we cannot answer support queries here properly.