It wasn't too bad. The course designers did a good job setting up around the water. There were still a few moments where I completely lost steering while driving through a muddy patch.
@@ojannen I understand. Do you mind sharing more about your playing experience and the story of this horn? Is it in the United States? How was it purchased? I know others might use it as a toy, but I am considering using it as my professional euphonium, mostly for ergonomic and intonation reasons.
Nicely done! I was one of those folks corner working on corner 4 during your runs. (The first horseshoe looking turn). The guy that drove the cavalier was at my station too. We were all commenting on how smooth the BMW was around the course. Like "Man, how does he do that in a RWD car?"
Thanks. The key is to never lift and to violently saw at the steering wheel. On second thought, that might not be the key. It is currently working for me though.
This instrument gives more of a tuba sound than a euphonium or a German style baritone. When you push more air into it, it responds more like a cylindrical bore instrument.
The slots are pretty wide so you can bend up or down easily if your buzz is in tune. The valves were never great. I ended up with the thicker Hetmans and they are least get through a rehearsal. The faster test piece stuff can get tricky though.
@@peterdeboer8924 I ended up keeping the 3+1 Schiller Brass Band Elite: ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-w0zQh8gt2As.html. I am doubling on baritone so adjusting to the compensating 3rd valve on this horn was tricky. I would rather have a sharp 23 and alternate fingerings that more closely match euphonium tendencies. The valves on the non-comp horn are also a little shorter and were better on the horn that I tried. In addition to the valve issues, I had my repair guy flare the tuning slides so they stopped leaking air, replace water key corks for the same reason and resoldered some braces. I would consider going with Wessex, John Packer or another company that tweaks the horns after they get here. Or make sure your tech is willing to do custom stuff on Chinese horns.
my main question, unanswered as yet, is why is the bell not a standard size for mutes? i need to practise silently'ish, but i'me told that a trombone mute is too big & a trumpet one, too small. (i already have a yamaha silent system for trombone). i so want one of these, with all its other faults, but can't play loudly where i live! so annoying. IMHO a massive mistake in the design! rant over!
That sounds really good for a cheap plastic horn! Someone else suggested a flugelhorn mouthpiece works best with it, that it doesn't really play well as an alto/tenor horn. He also recommended not to use a trombone mpc
I am a trombone/euphonium player so I used what I had. I think the big problem was the gap in the receiver is too large with a small shank mouthpiece. I may try to turn down a cheap 12c to the right size for the leadpipe and see if it works better.
It seems like Nuevo could make a silicone “mouthpiece” that had a deep cup like a flugelhorn or alto horn mouthpiece. I’m a luddite when it comes to stuff like that, but it doesn’t seem like it’d be any harder to than making the mouthpiece cups they already have. I guess if enough people asked for it… You sound great, btw. 🙂
Bravo !Sound great! What are your impressions on this tool? is it in tune? Could a tenor trombone mouthpiece fit? I have heard that centering notes is not easy. I play the tenor trombone but I also have experience of trumpet but for me it has too small a mouth ...
I am playing with a small shank trombone mouthpiece in the video. It fits but it does not sit in the correct place in the leadpipe. I think a tenor horn mouthpiece would be a perfect. In the video, I am working pretty hard to get the horn in tune with mixed success at best. A few open notes were notably flatter than the rest of the horn. I bought the horn to so my son could play with an instrument without giving me an anuerysm. It is working well for that but I don't think I will ever play it in public.
Pretty darn good for using a full-size mouthpiece. It's definitely a dog in the lowest registers, but it absolutely rips up top. Hearing the jHorn pull off this kind of sound is making me rethink having a custom piece made for it. It wouldn't be that expensive to get a custom JK PT2A 10mm. Not sure how large they'd let me have the throat bored out for such a small shank, though. 5.4mm won't cut it. Already tried.
It works pretty well for a cheap horn. I like the fourth valve mostly for the alternate fingering possibilities but it isn't really necessary. I ended up going to a 2 part Warburton mouthpiece with a medium cup and a 5* backbore. It takes some of the edge off of the sound and makes it sound more like a bigger bell Besson. It sounds like this (using the same gopro to record): ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-lBj_f-el7iI.html
I come from a euphonium background so I listened to as many people as possible to get a sound concept for baritone. Katrina was on the list. She sounds great.
For the non-Filipino crowd: patis is great on fried rice. While frying, just sprinkle some in the pan. Make sure you buy more clear patis. The dark stuff is gross and possibly dangerous to your health.