If we derived a scale from the overtone series wouldn't it be Lydian dominant? Hindemith and Schoenberg do an excellent analysis over the first appearance of a true F natural in the series based on C. Bb also makes an appearance much sooner than a true B natural.
Listen to Dust to dust by John Kirkpatrick, which is in b locrian. It’s at the least very interesting. You are missing out a little, creatively explained is just closed minded.
Very interested in the relative "colours" of modes. When preparing music, I think I need to consider the modes employed by the composer and the subsequent colour it produces. Thanks.
"Objectively hideous" lmao. You don't even give the subjective benefit of the doubt. Also, Part 2 with Hungarian minors! I'm fascinated what that means. I'm also curious about certain parts of the world that quarter tones, like the middle east.
Found this channel a few days ago (I’m very new here), and I’m loving the music theory! I saw your subscriber count and got confused because it should be much higher.
There are the same 7 modes for all 12 keys :) like there are 12 minor scales C minor C# minor D minor ... B minor... the same applies to the modes; example: D dorian, D# Dorian, E Dorian, F Dorian... C# Dorian ect... and for all the other modes :) it’s the same sound and color but starting and ending on different pitches. Hope it makes sense!
How dare you call locrian horrible :( . It has its uses, the diminished tonic can create a feeling of unrest and the floor being swept from under you. If you know the right techniques, you can compose a whole song in locrian and it’ll sound musical.
