Hello dear Children of Darkness, all the musical scores from my albums Dark Organ, Gothic Organ and Evil Organ, are available here : payhip.com/b/U7Ou Sorry for the price, but I need blood to survive. Best wishes. GN
01 (00:00) - Darkness return 02 (06:27) - Dracula's Cathedral 03 (13:27) - The arabian dark priest 04 (18:53) - Death quest 05 (24:02) - A gothic dream 06 (28:02) - Welcome into sad days 07 (31:16) - Neurasthenia 08 (37:34) - Todestrieb 09 (41:52) - Danse du clown spectral 10 (45:51) - She died 11 (51:07) - A gothic castle 12 (55:59) - The law of retaliation 13 (59:54) - Torture of regret End (1:05:25) - Beginning of Bloody Tears by Michiru Yamane a mobile version for me later and those who dont have the pleasure of being at a computer while listening
I'd have thought (being Goth themed), that there would have been a piece entitled: "She sat in the corner of a darkened room, crying, and eating burnt toast".
Thank you Very Much, 5his comment was very helpful 🧛🏽♀️🧛🏽♀️🧛🏽♀️🧛🏽♀️🧛🏽♀️🧛🏽♀️🧛🏽♀️🧛🏽♀️🧛🏽♀️🧛🏽♀️🧛🏽♀️🧛🏽♀️🧛🏽♀️🧛🏽♀️🧛🏽♀️🧛🏽♀️🧛🏽♀️🧛🏽♀️🧛🏽♀️🧛🏽♀️🧛🏽♀️🧛🏽♀️🧛🏽♀️🧛🏽♀️🧛🏽♀️🧛🏽♀️
@@markysharky03 More like they're too stupid to realize that everything they enjoy in life is brought to them by capitalism and they wouldn't even have it under socialism.
Влюблена в эту музыку 🖤 Третий день не могу остановиться и перестать слушать. Особенно 'Dracula's Cathedral' хороша. Благодарю автора за прекрасные произведения~
The most beautiful instrument, the most beautiful sounds, organ is definitely my favorite instrument, since I was young I always have been fascinated by organ sounds, espacially as dark or emotional music, it remains so powerfull and so different. Thank you for this hour of happiness ☺️
I cannot believe you said that. Why listen to the music of depression, hopelessness, and death? Unbelievable. I love running into those (like you), that were like my old, cultured, intelligent, alternative self. I was stupid enough to have a curiosity and love for this shit...over 10 years ago. I'll take my TS any day, over this shit.
Love the Emperor for He is the salvation of mankind Obey His words for He will lead you into the light of the future Heed His wisdom for He will protect you from evil Whisper His prayers with devotion, for they will save your soul Honor His servants, for they speak in His voice Tremble before His majesty, for we all walk in His immortal shadow
I play D&D. I have also created a College of creation bard who mastered completely the art of the Organ among many other instruments. And THIS is definitely going into my playlist for her.
bro i literally listen to this like every day. part one and 2. its so inspirational to me man as a beginning composer and just looking at all the different melodies and counter melodies going on at once uggh. such a great work man .
SPLENDID! and i never thought someone other than me is interested in these type of evilish masterpieces, much much better than the trend music nowadays. this is what i'll listen to all night, ALL NIGHT!
Vampire prince Matthew: maki harukawa~ it's so lovely to see you again my dear and thanks for coming to national garlic day. May i bring you a drink and a snack~🦇👑💜
No lie, i had a super kinky Halloween idea next time i get a gf. Im going to buy those red contacts, those 2 fangs you stick to your canines, and pretend im getting ready. Tell her "hey babe come in" She comes in and im standing there hooded. "Hehe, you really thought i was human?" and pull back the hood and show the red eyes and real fangs and watch her freak or have an Edward reaction from Twilight.
Gonna use this for my Dark Sun game. The players are going to eventually find a tower in a sea of silt, where an organ is being played, which the players will find a magically enchanted body double of a sorcerer king that has been playing for 1000 years
What is the best way to contact you? Via email? This is amazing. Im Working on a progressive rock/ metal fusion album and I'm new to playing keys as I am a drummer from a young age... Would like to ask some questions ! Thank you for these amazing pieces! ❤
While it may seem uncommon to harbor disdain for a particular genre of music, hating organ music is a sentiment that exists on a spectrum, influenced by a variety of factors that range from personal taste to cultural biases. The organ, with its commanding presence and deep, resonant tones, often becomes a focal point for those who find its sound overwhelming or even oppressive. The instrument's grandiosity, both visually and aurally, can be perceived as pretentious, leading to a disconnect between the music and the listener. The deliberate pacing and sustained notes, characteristic of organ compositions, may be at odds with those who prefer the fast-paced dynamism found in more contemporary musical genres, creating a sense of monotony that turns them away. The historical context of the organ, often associated with religious settings, can evoke discomfort in those who have negative experiences or sentiments towards organized religion, making it challenging to separate the music from its cultural and spiritual connotations. Furthermore, the organ's historical role as a symbol of authority and power in various periods of music history may contribute to a sense of elitism that alienates certain individuals. The complexity of organ compositions, demanding a high level of skill from both performers and listeners, can create a barrier for those who seek more accessible and straightforward musical experiences. The absence of lyrical content in much organ music may leave some listeners yearning for the emotional connection that vocal elements provide in other genres, as the instrument relies on purely instrumental expression. The limited tonal range of the organ, compared to more diverse instruments or electronic sounds, may be a source of dissatisfaction for those who crave the sonic exploration offered by alternative musical genres, leading to a perception of stagnation within the realm of organ music. Moreover, the association of organ music with specific cultural events, such as weddings or funerals, can color individuals' perceptions, either positively or negatively, depending on their personal experiences with these occasions. For some, the solemnity and gravity associated with the organ may be emotionally resonant, while for others, it may feel stifling or ritualistic. The spatial requirements and traditional settings in which organs are often found, such as churches or concert halls, can contribute to the perception of exclusivity and formality, creating a barrier for those who seek more casual or diverse musical experiences. In essence, the aversion to organ music is a nuanced interplay of sonic preferences, cultural associations, historical perceptions, and individual sensibilities. It reflects the multifaceted nature of musical taste, demonstrating how diverse factors converge to shape our subjective experiences with and interpretations of different genres, in this case, culminating in a strong dislike for the rich and intricate world of organ music. Hating organ music is a sentiment that stems from a variety of factors, ranging from personal taste to cultural biases. The resounding tones of the organ, with their deep and often ominous resonance, can be overwhelming for some, creating a sense of discomfort that lingers throughout the entirety of a musical piece. The grandiosity of the instrument, with its numerous pipes and intricate mechanisms, might strike some as overly ostentatious, contributing to a perception of organ music as bombastic and pretentious. The deliberate pacing and sustained notes characteristic of organ compositions can also be a source of frustration for those who prefer more dynamic and rapidly evolving musical genres. Furthermore, the association of organ music with religious settings, particularly in churches, might evoke negative emotions in individuals who harbor resentment towards organized religion or find the solemnity of such spaces unwelcoming. The historical context of the organ as a symbol of authority and power in certain periods may lead some to view its music as a relic of an elitist past, detached from the contemporary cultural landscape. The sheer complexity of organ compositions, requiring a high level of skill to both play and appreciate, can be alienating for those who seek more accessible and immediate musical experiences. Additionally, the lack of lyrical content in organ music may leave some listeners yearning for the emotional connection that vocal elements provide in other genres. The limited timbral range of the organ, compared to more diverse instruments or electronic sounds, may contribute to a perceived monotony that turns individuals away. In essence, the aversion to organ music is a nuanced interplay of sonic preferences, cultural associations, and individual sensibilities that shape one's musical tastes. Size and Portability: Organs, particularly traditional pipe organs, are renowned for their considerable size and weight. Their immobility limits their accessibility, especially in contemporary settings that demand flexibility. Cost: Owning, installing, and maintaining organs, especially pipe organs, involves a significant financial investment. This financial burden may restrict access for smaller institutions, aspiring musicians, or those with limited resources. Maintenance: The intricate mechanisms and numerous components of pipe organs require meticulous and regular maintenance. This can demand specialized skills and considerable costs, potentially making organ ownership impractical for some. Limited Sound Palette: Critics argue that the tonal range of organs is comparatively restricted. This limitation may not align with the preferences of musicians or audiences seeking a more diverse and expansive sonic experience. Association with Tradition: Organs often carry associations with traditional, ceremonial, or religious contexts. This historical baggage may limit their appeal to those looking for instruments aligned with contemporary or secular musical expressions. Complexity: Renowned for complexity, organ music demands a high level of skill from both performers and listeners. This intricacy can act as a barrier for individuals preferring straightforward and accessible musical experiences. Lack of Lyrics: Many organ compositions are purely instrumental, lacking the narrative and emotional connection provided by lyrics in other genres. This absence may diminish the appeal for those seeking a more direct and emotionally resonant musical experience. Volume: Organs, particularly large pipe organs, are known for their powerful and resonant sound. While awe-inspiring, the volume may become overwhelming for some listeners, leading to discomfort or fatigue. Cultural Associations: The historical ties of organs to religious or aristocratic contexts may create a barrier for those perceiving them as symbols of an exclusive or privileged cultural past. Not Versatile for All Genres: While excelling in specific genres, such as classical or sacred music, organs may lack versatility for accommodating a wide range of modern musical genres, potentially limiting their relevance in contemporary music scenes. Aesthetic Dominance: The physical presence and visual prominence of organs can be dominating. This visual dominance may distract from other elements in a performance or clash with certain architectural aesthetics. Accessibility: The size and complexity of organs can make them physically challenging for some individuals to approach or play. This may limit inclusivity in the musical community. Acoustic Limitations: Organs, particularly pipe organs, rely on acoustic resonance. In certain acoustically challenging environments, the full potential of the instrument may not be realized. Integration Challenges: Incorporating organs into diverse musical ensembles can be challenging due to their unique tonal characteristics. This may limit their use in collaborative musical projects. Immobility in Performance: Organists are often fixed in one position during performances, limiting the dynamic movement that some musicians employ to engage with audiences. Environmental Impact: The materials and resources required to construct and maintain pipe organs may raise concerns about their environmental impact, especially in an era of increasing ecological awareness. Technological Competition: With the advent of advanced digital technologies, some argue that traditional organs may struggle to compete with the versatility and convenience offered by electronic alternatives. Dependence on Venues: Organs are typically tied to specific venues with suitable installations. This dependency may limit their availability for spontaneous or unconventional performances.
I am a son of light and these pieces are great, I feel no evil energy in them but there is certainly powerful energy in this music I like to listen to this when meditating and planning. Great work Adrian
@@cjwebsolutions5083 how old are you and where you from? If you live in Transylvania in a coffin and are over 2,000 years old yes. Lol just kidding. Really where you from and how old are you?
@@ddkgrove5113 I am not just a Vampire. I am so much more than that. Who and what I am is kind of a long story to explain. I am 10 000+ years old. I saw the creation of the earth. Think of me as Ciri from Witcher. I am an Elf, I am a werewolf, a vampire, a Sorceror. If you want to talk more look for Glorath Zerag Mordariono on Facebook.
I need a few Good Imperials to join the Inquisition, Black Epsilon, and Storm Squadron mainly to hone those Natural Flying Skills and to do Our Emperor Proud. Go to Star Wars Galaxies Legends and play for free today.
I have to comment again. ☈ This fills wherever I am. My little lions enjoy it very much. They come out of wherever they are resting and make noises of pleasure. They then rest and take in what comes from my Bluetooth speaker, which I spent a good amount on to enjoy music properly. Music is everything to me. • I get all the ambience, the low end, the individual notes, the dissonance and reverb... I find hours pass by while the music is on Repeat, and or if I have other music of yours in a playlist. It sounds great in the washroom lol I take an extra long time shaving and thinking. I mentally rest in my secluded castle. It also wipes away the noises of the shit in the street, and chaotic bullshit that can fill my home sometimes. And the best part, is that it is *very* CASTLEVANIA. Instant nostalgia and melancholy. Very inspiring. There's no way to explain it to someone who isn't inspired by it already. I just felt that with all the work you put into the music, it needs to be spoken of again. It's timeless. Much GRATITVDE!
Thank you very much for your gratifying and encouraging comment ! I am happy to have succeeded in expressing some darkness of the soul, nostalgia, timelessness, melancholy... and echoes of Castlevania. So, there are Gothic spirits inspired by this universe ! You encourage me to continue my work, thank you again !
*Adrian Farenheights Tepes* C'est magnifiques monsieur! You create a reality within reality. It is indescribable. It transforms the tedium into inspiration and healing. That dark place is where the beauty comes from. No no- I thank *You* Lord Tepes... You have a gift. It is proven here. I wish to compensate you for your gifts to us in the near future. *A V E* I smoke cigarettes called *BELMONT.* Truly. 😉 ♥ ♥ ♥ ♥ ♡ ☈ *I have looked at the Bandcamp link. I shall make a most excellent purchase in the coming weeks! And add a little extra € because it is worth much more than you ask.* 🖖😑
Nous séjournons donc dans le même esprit... Pour échapper à la grisaille environnante, nous nous terrerons dans les cathédrales souterraines de la musique et puiserons des forces dans les sources cristallines de la lumière... afin de délivrer l'humanité de l'emprise invisible de Dracula. :)
1 HR OF GOTHIC MUSIC OKAYEE GOOD UP THRU THE FIRST TEN MINUTES NN MORE THE CRYEE LIDDOOL SISSTA REAL THE THEMES & SERIOUS CITAL IMPRESSIEEVE NOTE❤️MOODES
There’s something transcendental about the Organ I felt it during interstellar, like God and heaven and power speaking to humanity while the beauty the grit the pain the sadness and despair that is humanity uses to speak to the Devine in a conversation spoken through air the same air we breathe.
Sounds like something you could really hear in a Roman Catholic Cathedral. Well done tragic prince. ( edited portion : could you possibly tell me where to find that thumbnail image ? )
Thanks !! I love the novel Frankenstein, The Creature is a very interesting character. So, I am very happy to inspire you for your writing ! Good luck ! Hoping that your book will be consultable.
